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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

A Louisiana Literacy Test For Black Voters, Circa 1960

You have 10 minutes, and if you got one answer wrong, then sorry, you can't vote today.

Granted, the above test is not explicitly racist. But even the worst apologist can't deny the inherent classism of it. Technically speaking, this test was only administered to voters who couldn't prove a certain level of education. Which is kind of arbitrary, no? That's not like carding someone to buy alcohol. There's no visual indicator of someone's education, is there?

Well, sure, if we consider that education is a privilege, not a right, one that is much more easily accessible to people of a certain class. And in Louisiana in the 1960s, most of those people "of a certain class" were of a certain pigment as well...

(and hey, don't get me wrong: there a lot of dumb people in this country, and that they have a voice in our so-called democracy could be seen as an impediment on progress. But as appealing as it sounds to oppress those faces, suddenly your progressivism borders eerily on fascism...)

The First Ever Photograph of a Human

Here's some fun weird history for your Friday enjoyment!

From Wikipedia:

"Boulevard du Temple", taken by Louis Daguerre in late 1838 or early 1839 in Paris, was the first photograph of a person. The image shows a street, but because exposure time was over ten minutes, the traffic was moving too much to appear. The exception is the man at the bottom left, who stood still getting his boots polished long enough to show.

My ARISIA Convention Schedule

I'll be at the Arisia sci-fi / fantasy convention in Boston this coming weekend, speaking on a few panels and generally hanging around. I've never been to Arisia before, nor have I ever been on any convention panels, so I'm doubly excited (and very much hoping that I don't say anything too stupid).

Anyway, here's where you can find me. Come say hi!

  • Neurodiversity in SF/F
    Saturday, 11:30am-12:45pm in Marina 2 (2E)
    How are autistic and other neurodiverse characters presented in SF/F? What works handle this subject well, and which do not? Who are some neurodiverse authors whom we should all be reading? And how, as a genre, do we move beyond stories only focused on a “cure”?
    —with Don Sakers, David G. Shaw, and JoSelle Vanderhooft
     

  • DC Comics on the Small Screen: 2015 Edition
    Saturday, 5:30-6:45pm in Marina 2 (2E)
    For all of DC’s much-disdained recent lack of creative success on the big screen, they’ve put together a string of received cartoons going back over twenty years ranging from episodic (Batman) to serialized (Young Justice) to goofy (Teen Titans Go). They’ve also launched multiple TV series, including Arrow, The Flash, and Constantine, even as their actual comics have become a pit of creative despair. We’ll discuss DC’s success (and occasional flop) over the years on television.
    —with Nomi S. Burstein, George Claxton, Jaime Garmendia, Dan Toland
     

  • Behind the Bristol Board: Comics as a Profession
    Saturday, 7-8:15pm in Marina 4 (2E)
    If you’re a comics fan, odds are you’ve thought about what it’s like to actually work in the comics industry. This panel will feature working professionals explaining the ins-and-outs of everything from writing and drawing, to editing and publishing. It’s everything you ever wanted to know about being a comics pro, but were afraid to ask.
    —with Ken Gale, Bettina Kurkoski, Alisa Kwitney Sheckley, Mercy E Van Vlack
     

  • Superman and Religion
    Sunday, 11:30am-12:45pm in Burroughs (3E)
    Superman remains an enigmatic figure in American mythology. Created by two Jewish kids from Cleveland, perhaps as a metaphor for Jewish assimilation, Superman also represents a Christlike figure in many stories, and the screenwriter of Man of Steel consulted, among other sources, the Sumerian epic of Gilgamesh. Does the wide cast of Superman’s religious influences render him a defender-of-all-faiths? Can any religion claim him as one of their own? Come explore this thorny issue with Arisia 2015.
    —with Michael A. Burstein, Ken Gale, Alex Jarvis, Daniel Miller
     

  • Story Autopsy
    Sunday, 2:30-3:45pm in Alcott (3W)
    Our group of panelists takes a few well-known works of genre fiction and picks them apart to show you how they work, why they work, and in some cases point out the parts that don’t work at all. If you don’t like spoilers this is probably not the panel for you.
    —with M. L. Brennan, James L. Cambias, John P. Murphy, Ian Randal Strock
     

  • The Medium and the Message
    Sunday, 5:30-6:45pm in Hale (3W)
    A story can be told in a multitude of formats. Anything from short stories and epic poems to graphic novels and screenplays can be used to convey a narrative. How do the various formats compare? Do certain genres work well in one but not another? What about translations from one medium to another? How can you tell which works best for your story?
    —with Heather Albano, Alexander Feinman, John G. McDaid
     

  • Writing and Racial Identity 
    Monday, 1-2:15pm in Hale (3W)
    What does your race have to do with what you write? Depending on your race, are certain topics forbidden to you? Obligatory? None of the above? If your race matters, how do you know what it is? By what people see when they look at you, or by what you know of your genetic background? By your cultural upbringing? By what you write?
    —with John Chu, Mark Oshiro, Victor Raymond

"The World Is, Generally and On Balance, A Better Place To Live This Year Than It Was Last Year"

...according to this uplifting article by Ramez Naan, anyway, but also according to Spider Jerusalem, my favorite fictional anti-authoritarian druggie bastard liberal journalist of all time, whose voice and opinion are clearly superior to any non-fictional persons real or dead (other than Warren Ellis or Hunter S. Thompson).

So before you pop that bottle of bubbly, here's one of my favorite short comic book stories of all time—about winters, futures, and totally sweet snowblaster guns. Happy new year!

Legal-y things: Transmetropolitan was written by Warren Ellis with art by Darick Robertson. I did a quick & simple Google search for these page images, but it was originally published by in "Vertigo: Winter's Edge #3" and later re-printed in Transmetropolitan Vol. 4: "The New Scum". And you really need to read Transmet if you haven't yet.

Also, thanks to Jenna Scherer for reminding me of my own annual posting of this delightful message.

JRR Tolkien's Top 10 Tips For Writers

I feel like I'm supposed to make a snarky comment about Peter Jackson* in order to contextualize this, but the truth is, I haven't even seen The Desolation of Smaug or Battle of the Five Armies yet, because I found An Unexpected Journey to be little more than an overlong cut-scene from a corny Tolkien-themed Disney ride. But anyway, this is still fun!

*For the record, I was even skeptical when Jackson was first announced as the director of The Lord of the Rings trilogy, because he was one of my favorite go-to directors for my frequent Horrible & Horribly Offensive B-Movie nights back in high school. Don't get me wrong, Beautiful Dreamers and The Frighteners are both pretty fantastic — but Meet the Feebles? Dead-Alive? Bad Taste? Let's just say that he's better telling someone else's story than his own.

Although, he did give us this:

Glenn Beck's Grim n' Gritty Ninja Santa Claus Reboot

Obviously I talk a lot about mental health and the fair treatment of human beings on my website; as such, it would be unfair for me to make light of the "rare neurological condition" with which pundit Glenn Beck has been recently diagnosed.

...

Everyone got the giggles out now? Okay. Because he's also working on a new gritty action-adventure book/movie about an immortal warrior called Santa Claus who roams the — desert? tundra? — protecting the wee Baby Jesus, presumably from the legions of Hellish MainstreamLiberalMedia Spawn.

(but like no really why are there camels and also snow?)

Here's what Beck himself had to say about it:

My Santa, the Immortal is a very different guy.  He starts out right before the birth of Christ, and he is up in the mountains. And he is a warrior. He has lost his wife, and he’s a sad individual. And he’s got a son who loves dearly, and he lives up in the mountains, and he hunts for food.
He eventually is hired by three wise men because he can negotiate, because nobody is going to rip them off, and he knows how to get the very best gifts. And so he negotiates with gold, frankincense, and myrrh and then has to go protect that gold, frankincense, and myrrh and then through a series of events is left there to protect the Christ child, never interacting, just watching.
He doesn’t know who he is, and he goes darker and darker in his whole life as he watches this boy grow, but he’s always touched by him, but he doesn’t realize it until the Sermon on the Mount. [. . .]
He makes a pact. Little does he know in that pact he has now become immortal, because as he watches the crucifixion from afar and cannot get close to it, cannot stop it, he feels he fails again. He runs off before the resurrection. A thousand years pass until he meets another little boy, a little boy that happens to grow up to be what we know as Saint Nicholas...

Beck does ultimately go on to make some salient points about mythology — how Santa Claus as we currently know him has in fact evolved over the years, an amalgamation of multiple cultural incarnations filtered through the veil of Clement Clarke Moore and years of Coca-Cola ads. As such, this badass eternal ninja warrior version of the man in red is just Beck's contribution to the ongoing memetic traditions of the Santa Claus, in the same way that Greek and Norse mythology (and, of course, comic book superheroes) has changed and been re-appropriated over time. It's a high aspiration, sure, to deem yourself The One To Revolutionize The Santa Claus Myth For Future Generations, but then, I guess he can't be blamed for trying. After all, my friend Aisha did put out that fantastic controversial piece last year about Penguin Santa Claus, which I thought was a great idea (and which Glenn Beck surprisingly didn't say anything stupid about?) — so I guess that change has got to start somewhere, right?

Then again, Glenn Beck's last attempt at a Christmas revolution featured him  and — ah, you're right, I'm sorry. Rare neurological condition and all that. It's not polite to laugh.

Tauntaun + Baked Potato = BAKED POTAUNTAUNS

I thought they smelled good on the outside!

It’s an age-old story: A loyal Tauntaun sacrifices itself to provide life-saving warmth for a future Jedi in its steamy entrails.
Now recreate the legend at your own dinner table. The Tauntaun—faithfully played by the baked potato on your plate—serves himself up to a young Jedi master, aka a lump of butter frozen into a Luke-like shape using the included freezer mold. Reenact the fateful moment when Han eviscerates the beast: slice open your erstwhile companion and insert Luke inside.
Add some salt, a sprinkle of The Force (or sour cream), and enjoy your mouthwatering dinner.

This is incredible. It's like all the misogyny and police shootings and CIA torture and climate change and other things making me horribly, horribly depressed have all been wiped away like clean white snow on Hoth's frozen tundra!

The Baked Potauntaun Team is currently trying to raise $75,000 on IndieGoGo. As of this posting, they have....$700. But I have faith! Because who doesn't want a Baked Potauntaun?! Plus, that Luke Butter Mold and Lightsaber Butter Knife would go great with my Han Solo in Carbonite ice cube trays. So, ya know, if you're looking for a Christmas gift for that special me...

Brighten Your Day With Reverse-Nude Photography

Trevor Christensen is a Utah-based photographer who had the brilliant idea to take nude photographs. As in, he himself would be nude, and he would photograph people (with their permission, obvi). Hilarity ensues.

From the artist's statement:

As a photographer I’m deeply interested in the experience subjects have during portrait shoots. When I guide subjects through the process of making their photo, I seek to create a calm, comfortable environment where they can be at ease in front of the camera. Despite my best efforts, subjects often feel a sense of vulnerability during the process. No matter the scenario, this power imbalance seems like an almost inescapable part of the experience.
The photographer/subject paradigm is one of inequality. Nude Portraits is about leveling the playing field in an unorthodox way. Instead of focusing on bringing the subject to a place of ease, where I am, this project brings me to a place of vulnerability.
This vulnerability is achieved by making portraits without clothing. These are nude portraits in the sense that I, the photographer, am nude, while the subject is not.

Take a look below. And oh, fair warning — totally safe for work.