"Hidden Youth: Speculative Fiction from the Margins of History" is now available, and totally worth it. I swear.

My first professional-rate short story is now available in print from Crossed Genres! "An Baile na mBan" is just one of 22 tales of fantastical diversity in the pre-1930s world, all featured in Hidden Youth: Speculative Fiction from the Margins of History. (Perhaps not-so-surprisingly, mine's about pucas, Travellers, and abortion during the Irish Civil War.)

Publisher's Weekly said, "The offerings are solid, entertaining, and generally fascinating, conjuring up voices and experiences not often heard. This collection is well worth checking out for all fans of speculative fiction."

From the publisher...

“The sequel to the World Fantasy and Locus Award-nominated anthology Long Hidden, Hidden Youth focuses on children: underage protagonists marginalized in their time. 22 excellent stories ranging across nearly 2,400 years and spanning the globe, Hidden Youth reveals the stories of young people whose lives have been pushed to the margins of history.”

The Ballad of Bad Hombre Man & Queen Nasty Woman

He rode out at dawn
And he headed west:
The Bad Hombre Man
from the Yuge Land of Best

But when he arrived
she was already there:
The Queen Nasty Woman
mounted on her white mare.

They both drew their guns
packed with bullets of words.
Hers were sharp, smart, and clear;
His: the best that he'd heard.

Now I’ll clarify
this for those unaware:
Yes, she’s fine with guns
When they’re not everywhere.

Now back to their duel
in that desert, noon high.
Where Queen Nasty Woman
brought Bad Hombre to die.

For when she took aim
with her practice and plans
she sniped his small gun
from his small grabby hands

To that Bad Hombre Man
from the Best Land of Yuge,
It had never occurred
he could possibly lose

But he slipped from his saddle
and fell flat in the dirt
He was frantic to find
some new way he could hurt

that there Queen Nasty Woman
mounted high on her steed
laying traps all around
everywhere he might lead

Leaving Bad Hombre Man
with no pussy to grab
For the sword ‘tween his legs
was all he knew how to stab

And so Queen Nasty Woman
Turned her mare and she rode
towards that house, White and fair
to once more be her home

On the Statistical Anomaly — or not — of White Supremacy

Statistical anomalies can be tragic and regrettable without serving as evidence for anything all.

Less than 50 officers are killed in the line of duty each year on average, not counting accidents or injuries or deaths from illness. In the grand scheme of tragedy, this statistic means that policing is not a particularly deadly career. At the same time, this doesn't preclude officers from being brave and noble individuals worthy of appreciation.

The majority of those officers killed in duty are killed by white Americans.

By contrast, police are responsible for killing around 1000 people each year, and a disproportionate number of those people are black Americans, usually men, and whom in the vast majority of cases, did nothing to elevate the conflict but for existing in a high-tension situation with an armed officer while also being black.

These are all facts.

The photo on the top left was taken during the Black Lives Matter protest in Dallas last night, before further violence took place. This photo represents an ideal situation: if cops are meant to professionally stand against injustice, then it is right that they would stand in solidarity with those suffering from injustice. I like to think that the moment reflected here is an accurate representation of the majority.

The photo on the top right is the tragic reality that black Americans are forced to live with every day, due to the aforementioned statistics of black Americans being killed by cops. Regardless of your feelings towards police, you should be able to empathize with the fear that black Americans are feeling — because it is statistically justified. This is unfortunate, but it's the truth.

(If at any point in this ranting you have thought to interject something to the affect of "But isn't every death tragedy?", you're part of the problem, because that is such an obvious and foregone conclusion that it doesn't even bear clarification.)

At the bottom of this photo, you see a tweet made by a former US Congressman, in the aftermath of last night's protest and subsequent anomalous shooting. 

And that tweet at the bottom? That is the source of all of these problems. That is the insidious virus of white supremacy laid bare for all to see, by a white man in a position of power and influence. It still exists today, still oozing like snake venom through the veins of our country.

And it is not a statistical anomaly.

It is men like this who create a system that continues to keep black Americans down 150 years after the formal end of slavery.

It is men like this who pass laws that lead cops — essentially their employees, or at least, the professional enforcers of their will — to profile, punish, and sometimes and with increasing disproportionate frequency kill black Americans.

It is men like this who use their power to appeal to the most rotten fears in the hearts of white Americans, by pointing to statistical anomalies like a sniper at a Black Lives Matter protest and use that as evidence or justification of some greater evil, while ignoring all other steadily persistent evidence to the contrary. It is these same men who will readily classify any white shooter as a "lone wolf" or as "mentally ill" — perpetuating the idea that white people are allowed to be individuals, while all minorities must stand-in as representatives for their entire group.

It is men like this who encourage others like them to deny their human impulse for empathy. It is men like this who are the problem. (And yes, it is men like this who make up the bulk of Donald Trump's support base.)

I try not to be the person who shares every single meme in the wake of every single tragedy, who participates in the back-patting performance art of social media America. I try to stand in solidarity with my black friends, and let them feel their grief, while also knowing that I can never fully grasp what it is like to be in their shoes.

It is 2016 and these 3 photos represent 3 vastly different realities that all coexist in the United States of America today. Do you see the problem now?

If you care about #DiversityInSF — or diversity in general — you should help make this awesome anthology happen.

The sequel to Locus and World Fantasy Award-nominated book Long Hidden edited by Rose Fox and Daniel José Older, Hidden Youth is a new anthology featuring fantastical short stories from the margins of history — young adult sci-fi and fantasy stories about oppressed and marginalized groups throughout the generations.

Also, it includes a story by me. "An Baile na mBan" is about Irish Travellers, Irish Nationalism, abortion, and, uhhh, sketchy púca faeries using women to enact their revenge on the Provisional IRA. Obviously.

Did I mention that this will be my first professionally-published (as in, paying SFWA rates) piece of original fiction?

So as you might figure, it means a lot to me. But it won't actually happen unless the anthology reaches its Kickstarter goal of $23,000 by Wednesday, July 6, 2016.

tl;dr — help a brother out, and tell your friends to do the same. KTHXBYE.

My latest comic book, "iCthulhu," is now on sale!

Grayhaven Comics' latest anthology issue, The Gathering: Sci-Fi Volume 3 is now on sale, and features a short sci-fi action comic by me and my good friend Dave Ganjamie!

Dave and I were bouncing ideas around when he made the intentionally-absurd suggestion of doing a "Futuristic Lovecraftian steampunk horror story." I decided to take this challenge literally...and thus, iCthulhu was born!

Our story is just one part of a 48-page anthology featuring tons of great creators, and the whole thing will only cost you $3.50, so what are you waiting for? Buy it before it becomes a rare and valuable collector's item!

A little sneak peek at Dave's awesome artwork...

Post-Turkeypocalypse

Ambling sloth-like through the wasteland, breathing in a noxious haze of tryptophan and sickly sweet liquor, I plod past the pestilent pond of porcelain piled high in endless pillars, towards the puddles of putrid fat liquidized and pooling on the plates, once poured steaming over broken bones now dripping down the drain while the last vestiges of flesh hang threadbare off that osseous matter. Small hands have left their mark behind them, stained and sliding down the wall as if grasping for some invisible rungs to rescue them from wrath. Meanwhile, that gelatinous glob of congealed red mass continues to vellicate on the floor, a ceaseless tremor that suggests its sentience. Yet somehow, the empty glass and glasses have survived the slaughter mostly intact, only weathered and worn by overuse though now dirty, discarded and disheveled down among the grateful undead whose virile corpses litter the living room furniture until such time tomorrow that consumption might continue.

Happy Autumn Equinox — now here's an Ode to Candy Corn!

rounded wax wedges, waning; a tawny
base that tapers towards a soft point
white like tundra, in taste and texture,
bleeding out from burning copper ribs
hardly mellow hardened creme
of candle crops to harvest fat
free treats, a sign of times once pagan-
pluralistic-primal-precocious-pre-
human, uncivilized, re-captured,
re-claimed, costume the dead alive
and turn the season, turn to shovel
handfuls into mouths full of rotting
teeth a special offer, a limited time only
exciting when available but hardly
missed in memories of stomaches
turned to sick, in children as in men
but indulging in each dish we find it
harder to resist the solstice sweets
and let ourselves get lost inside
that sadistic sugar maize

(see also: "It's 'It's decorative gourd season, motherfuckers!' season, motherfuckers" by the inimitable Will Kaufman)

Up and Worthy!

Just a friendly update to show what I've been up to at Upworthy these past few weeks! First, here's a slideshow put together by our Editorial Director, Amy O'Leary, detailing the company's new direction (with the secondary purpose of pre-emptively shutting down your rehashed "clickbait" jokes*):

July 8 2015 — Upworthy Editorial Vision from UpworthyAdmin

While I'm still getting the hang of the system (it's only been 2 weeks, after all), I've still got a few stories up that you can check out. It's mostly coincidence that the subject matter is, well, pretty much right my alley. I've also got a new Official Writer-y Facebook page, if you want to follow all of my (strictly professional!) adventures.

*I can say that, because my own jokes are half the reason that I work there now.

Everything Happens So Much

First of all, sorry for the lack of updates — as you'll see below, things have been pretty crazy 'round these parts.

For one thing, I'm already a week late on announcing my participation in the Clarion Write-a-thon to raise money for the Clarion Writing Workshop at UCSD, which I attended in 2013. I kind of, uhhh, messed up when I was filling out my sponsorship profile, and I meant to write a goal of 800 words a day in pursuit of this novelization that I'm working on. Instead, I accidentally wrote 800 words total for the entire summer. Ah well. Either way! Give me money to give to Clarion!

I've written before about the incredible personal and professional impact of my Clarion experience, which is why I feel so strongly about providing the same opportunities for other young writers. I came away from those 6 weeks not only with some amazing new friendships, but a stronger grasp on my own strengths and faults as a writer, as well as a greater familiarity and confidence in the genre publishing industry as a whole. And while it might not seem a direct correlation, I feel confident in attributing much of my success as a current full-time professional writer to the Clarion Workshop.

Oh. That's the other thing that happened: starting July 1, I will be a full-time salaried staff writer for Upworthy.com. "Isn't that that click-bait-y website with all the happy liberal stuff?" you might ask, in which case, well, you're not entirely off the mark. But in truth, Upworthy does tremendous promoting and supporting numerous progressive causes, campaigns, and charities, and getting their stuff in front of millions of eyeballs every month (also, they've all-but-sworn-off the "click-bait-y" stuff in the last 2 years, after indirectly creating an Internet monster out of it). They're going through a bit of a renaissance right now as well, part of which involves a shift towards more original storytelling and content, which is where I come in. The specifics of my storytelling work is still in their formative stages, but suffice to say that it's a very, very, very exciting time to be a part of the company, and I can't wait to see what happens next.

(also fun fact: Upworthy themselves have never, ever, ever used the click-bait-y headline suffix, "...you won't believe what happens next," despite the fact that that's the thing that everyone thinks about when they think about Upworthy and clickbait and whatnot) (also also, I'd argue that "clickbait" refers specifically to misleading links that are gravely lacking in content, whereas Upworthy has simply mastered the art of Vague But Intriguing Headlines That Compel You To Click and actually have good content on the other side to backup what they're saying) (also also also, this is genuinely me saying this, and not just the company line)

Finally, there was...I swear there was something else, something...cool, some good reason why I've been mostly MIA and why I'm still a week behind on the write-a-thon and —

OH! That's right. I got married. So, ya know. I guess that's kinda cool.

Photo credit: Bethany & Dan

Make-Your-Own Superhero Movie, MAD LIBS-style

It's only funny 'cause it's true. Welcome back to the MCU, Spider-Man!

Buy My Poetry In This Month's Issue of ASIMOV'S Science Fiction Magazine!

My time travel love poem "I Loved You More Last Time" is now available in the February 2015 issue of ASIMOV'S Science Fiction Magazine (along with a poem by my Clarion classmate and recent winner of Apex Magazine's Story Of The Year, Marie Vibbert). 

As far as I can tell, Asimov's is erm, not very good at making online purchases easy for anyone. But you can pick up the current issue or subscribe on Kindle, Nook, and iTunes Newsstand (unfortunately, I don't know the exact cut-off date for when the current issue ceases to be "current," and I can't figure out how buy specific back issues either). I'll also have a small stash of hard copies available for direct purchase (more info to come).

My ARISIA Convention Schedule

I'll be at the Arisia sci-fi / fantasy convention in Boston this coming weekend, speaking on a few panels and generally hanging around. I've never been to Arisia before, nor have I ever been on any convention panels, so I'm doubly excited (and very much hoping that I don't say anything too stupid).

Anyway, here's where you can find me. Come say hi!

• Neurodiversity in SF/F
  Saturday, 11:30am-12:45pm in Marina 2 (2E)
  How are autistic and other neurodiverse characters presented in SF/F? What works handle this subject well, and which do not? Who are some neurodiverse authors whom we should all be reading? And how, as a genre, do we move beyond stories only focused on a “cure”?
  —with Don Sakers, David G. Shaw, and JoSelle Vanderhooft
   

• DC Comics on the Small Screen: 2015 Edition
  Saturday, 5:30-6:45pm in Marina 2 (2E)
  For all of DC’s much-disdained recent lack of creative success on the big screen, they’ve put together a string of received cartoons going back over twenty years ranging from episodic (Batman) to serialized (Young Justice) to goofy (Teen Titans Go). They’ve also launched multiple TV series, including Arrow, The Flash, and Constantine, even as their actual comics have become a pit of creative despair. We’ll discuss DC’s success (and occasional flop) over the years on television.
  —with Nomi S. Burstein, George Claxton, Jaime Garmendia, Dan Toland
   

• Behind the Bristol Board: Comics as a Profession
  Saturday, 7-8:15pm in Marina 4 (2E)
  If you’re a comics fan, odds are you’ve thought about what it’s like to actually work in the comics industry. This panel will feature working professionals explaining the ins-and-outs of everything from writing and drawing, to editing and publishing. It’s everything you ever wanted to know about being a comics pro, but were afraid to ask.
  —with Ken Gale, Bettina Kurkoski, Alisa Kwitney Sheckley, Mercy E Van Vlack
   

• Superman and Religion
  Sunday, 11:30am-12:45pm in Burroughs (3E)
  Superman remains an enigmatic figure in American mythology. Created by two Jewish kids from Cleveland, perhaps as a metaphor for Jewish assimilation, Superman also represents a Christlike figure in many stories, and the screenwriter of Man of Steel consulted, among other sources, the Sumerian epic of Gilgamesh. Does the wide cast of Superman’s religious influences render him a defender-of-all-faiths? Can any religion claim him as one of their own? Come explore this thorny issue with Arisia 2015.
  —with Michael A. Burstein, Ken Gale, Alex Jarvis, Daniel Miller
   

• Story Autopsy
  Sunday, 2:30-3:45pm in Alcott (3W)
  Our group of panelists takes a few well-known works of genre fiction and picks them apart to show you how they work, why they work, and in some cases point out the parts that don’t work at all. If you don’t like spoilers this is probably not the panel for you.
  —with M. L. Brennan, James L. Cambias, John P. Murphy, Ian Randal Strock
   

• The Medium and the Message
  Sunday, 5:30-6:45pm in Hale (3W)
  A story can be told in a multitude of formats. Anything from short stories and epic poems to graphic novels and screenplays can be used to convey a narrative. How do the various formats compare? Do certain genres work well in one but not another? What about translations from one medium to another? How can you tell which works best for your story?
  —with Heather Albano, Alexander Feinman, John G. McDaid
   

• Writing and Racial Identity 
  Monday, 1-2:15pm in Hale (3W)
  What does your race have to do with what you write? Depending on your race, are certain topics forbidden to you? Obligatory? None of the above? If your race matters, how do you know what it is? By what people see when they look at you, or by what you know of your genetic background? By your cultural upbringing? By what you write?
  —with John Chu, Mark Oshiro, Victor Raymond