♫ Everybody cut loose ♫ Bluetooth ♫ wait what no that's not — →

Also on Wirecutter, I did a big ol’ rewrite on our guide to Bluetooth car stereo adaptors. If you — like me — have a car from the early ‘00s and don’t want to bother with installing a whole new fancy stereo system, you can still broadcast your phone to your speakers over Bluetooth transmitted through aux-in or FM radio waves. I’ve also got a pick for dedicated Bluetooth speakerphones, which are fantastic if you’re one of those weirdos who actually uses their smartphone to make phone calls, and does so in the car on a semi-regular basis.

My first full guide for Wirecutter!

That's right: not only did we revamp the entire Wirecutter website with a cool new look and fancy mobile friendliness, but I've also published my first official guide for them! Check it out:

Ironically, I also shaved my beard off this morning, so my author photo is no longer accurate.

REVIEW: King Dork by "Doctor" Frank Portman

I gave this 4 stars on GoodReads but it's really a 3.5. I'm generously rounding up because it reminded me of my excitement when I got to open up for Dr. Frank's band, the Mr T Experience, in high school.

Overall, I really enjoyed King Dork. Tom was a funny narrator in his anti-Holden-Caulfield-but-still-so-Holden-Caulfield way, and as a former aspiring punk rock star myself, I definitely saw a lot of me and my high school friends in the story. That being said, I was disappointed with the exposition-y ending. As a writer myself, I was somewhat bothered the whole time through with how much of the story was told in summary exposition, but I was willing to give it a pass because it makes sense diagetically with the narrator that this is how he would convey this story (similar to Holden Caulfield in that way). But Tom's main two journeys -- Fiona, and the relationship with his dead father -- were literally summed up and resolved without any effort on his part (even his hospitalization, though it certainly made sense that he wouldn't have a good memory of the specific events leading up to it, was so blasé: "and then I was hospitalized for a month because I got beat up NBD.").

All that being said: it's probably a good book to help get adolescents into classic books and help with their vocabularies (and the glossary was *hilarious*).

Also, the women in the book left...much to be desired. In some ways (again, diagetically, that is, within the world of the story), I got it, because it was absolutely how a 14 year old King Dork would probably talk about and depict women. It certainly sounded like some of my friends at 14, anyway. But as an adult feminist male, it was a little, well, exactly the kind of subtle misogyny that people are finally and rightfully paying attention to, and I wish had been approached with a more deft hand.

Anyway, here's the MTX song "King Dork," which actually has very little to do with the book (which I assume was named more for brand recognition than anything else, as this is generally seen as one of Dr. Frank's "hits," if you will).

Holy Recaps, Batman!

Some of you may have caught the first episode of Gotham last night, the police-procedural-cum-superhero-origin-show about the early days of Gotham City before Bruce Wayne became Batman. As an avid fan of both noir and comic books, I've been looking forward to this show for a while, and I'm excited to announce that I will be handling the weekly Gotham recaps / reviews for Tor.

My overview of the pilot episode is already up (though admittedly, it's rather long and overly-detailed — not unlike the tepid episode itself), so please stop by and add your comments, then join us in the weeks to come!

In the meantime, to tide you over to next week's episode, here's a supercut of every instance of Bruce Wayne's parents being murdered on television and film:

GUARDIANS OF THE GALAXY Review! (plus awesome Star-Lord rap song)

I had the pleasure of seeing an advanced screening of Guardians of the Galaxy last week which was, well, everything I dreamed it would be from the very first preview I read of the first issue in 2008. You can read my full review over on Tor.com (with whited-out spoilers, for those of you worried about those kinds of things).

You can also listen to this totally sweet Star-Lord jam by nerd-rapper extraordinaire Adam WarRock (although I personally would have preferred it if he had sampled from "Hooked on Feeling" or one of the other delightfully anachronistic songs from the movie soundtrack like he did for his Firefly mixtape, but that's a minor gripe).

Review: TRANSHUMAN by Jonathan Hickman

In Transhuman, writer Jonathan Hickman uses JM Ringuet's gorgeous artwork to tell an original story about the rise of Transhumanism as a corporate pissing match, and it embodies everything that is wrong with Hickman as a writer.

Don't get me wrong, Hickman is incredibly creative and kind of a mad genius — he's just a terrible storyteller. I've come to accept this fact. Transhuman is told as a "documentary" about the rise of the 3 largest Transhumanist corporations, which I guess is a clever conceit, except (1) why make a fictional documentary as a graphic novel? Why not, ya know, write a screenplay? and (2) the nature of those 60 Minutes-style factual reporting documentary is, by nature, a summary, and therefore not a story. The story is told through interviews with a narrator and the people involved in the story, but they are literally just TELLING the reader what happened. It's almost remarkable that a graphic novel — a medium which is visual by nature — could rely so much on telling and not showing, and therefore breaks one of the cardinal rules of fiction writing.

Sure, there are some interesting characters, and probably some cool dramatic, personal moments between them — namely, the divorced couple who end up working together on the Transhumanist project despite their mutual hatred for one another, who ultimately backstab each other again — but frankly, it's not very interesting to just see someone tell you that. It doesn't matter how witty or clever the commentary and writing is, I want to see it happen, I want to witness their interpersonal relations. If this were a real-life documentary from 50 years from now, and it aired on 60 Minutes or whatever, it would probably be great, because investigative journalism can get away with digging deep and just reciting facts (although I'd argue that most award-winning works of investigative journalism still manage to find a compelling human angle, something for the audience to emotionally engage with that makes them follow the story through to the end). In Transhuman, we just get a bunch of talking heads telling us what already happened, and a narrator / director to steer us away from any unreliable sources. There is literally nothing compelling or human to pull you through the story. There's a clever (albeit overwhelmingly cynical) twist at the end, which I guess is fun. But you can't build a story off a twist.

When Hickman first broke out onto the comics scene, I thought he was fantastic, but the truth is, he's good at creating the ILLUSION of good story telling. Everything he writes is done in summary, with a few cool moments in between to make it feel human. A friend of mine summed it up well as citing the difference between The Lord of the Rings and The Silmarillion — one is a story about characters that we care about, the other is a play-by-play history book, and Hickman writes the latter. I think Hickman would be better off as an idea man, leaving other people to actually execute these epic stories of his. Because the worlds he creates are always unique and fascinating, full of complex politics and otherworldly visions. But saying "HERE'S THIS CRAZY WORLD I CREATED AND THERE ARE THESE GUYS AND THEN THESE TWO FOUGHT AND THEN THIS GUY BETRAYED THIS GIRL AND THEN THIS PERSON WON, THE END" is really not a fun story to read.

I mean, okay, this was a fun moment. But not worth the wait.

"The Girl With All The Gifts": A YA Zombie Book That Will Actually Make You Cry

I read the first 30 pages of The Girl With All The Gifts on the train ride into work one rainy morning, and I'm pretty sure I got choked at least three times in that opening section of the book. Who the hell gets emotional over precocious 10-year-old zombies?

The Girl With All the Gifts is a new novel by M.R. "Totally Not Mike Carey" Carey. I've been a fan of M.R.'s alter ego for a while now, ever since his run on X-Men: Legacy and, more recently, his crazy Harry Potter metafiction series The Unwritten, so even if The Girl With All The Gifts wasn't one of the most-hyped genre books of the year, I would have still been pretty excited about it. However, it was heavily hyped, which made me that much more anxious to get my hands on an ARC — and I can happily say that it was worth every bit of the buzz.

The simplest way to describe The Girl With All The Gifts is as a young adult zombie novel, but even given my personal penchant for clunky noun-y elevator pitches, that description doesn't do the book justice. The story focuses on an eerily precocious young girl named Melanie, who lives in a cellblock with twenty other children like her, where they go to school and learn and then get forced back into their cells by soldiers. Once a week, the children are given a chemical shower and a meal of grubs. The kids seem a little weird, sure, but they're all remarkably articulate, if a little bit naïve and — oh yeah, they sometimes crave human flesh, like the other mindless "hungries" that have obliterated the British landscape.

Here's a trailer for the book:

The majority of the book focuses on the relationship between Melanie and her favorite teacher, Ms. Justineau, on whom she has one of those weird psuedo-crushes that plenty of ten-year-olds have but especially those who are already emotionally stunted by, erm, crazy fungal parasites. That's another thing — this psuedoscience surrounding the zombie outbreak in this book is some of the most well-researched and believable science I've ever read in a zombie story (not to mention, viscerally grotesque in way too many ways). If you want some spoilers, it's a very slight extrapolation from this very real bit of scientific horror.

The real strengths of the book lie in its characters, as well as M.R. Carey's delicate prose. Sure, there are a few places where I would have liked a bit more vivid descriptions than "bland army cellblock" and "post-apocalyptic countryside," but Carey is able to capture so much emotion in his stark and simple sentences. The relationships are complex, but they're rendered in such a way that they are easy to understand and empathize with. And honestly, the young-adult-as-intelligent-zombie metaphor is a particularly powerful one — the adults simultaneously underestimate her and also think she's dangerous, while she has trouble grasping the true complexities of the world around her. Young adult stories are often about coming into one's own and discovering one's true identity, and in the case of Melanie, that couldn't be more literal. She thinks, therefore she is, but she continues to struggle with understanding what that means for the other people around her — both human and hungry alike. The rest of the cast stray into two-dimensional territory — the gruff soldier, the alcoholic Irish rookie (oof), the viciously determined scientist, and the mothering, emotional researcher — but in the end, you can't help but feel for them and root for their journeys, as well as Melanie's (and, like all good drama, those journeys don't always work in harmony together...).

If you like zombie stories, or young adult stories, or post-apocalyptic stories, or teacher-student relationship stories, I absolutely cannot recommend this book more highly. So check it out — I swear, it doesn't bite...

REVIEW: Polarity by Max Bemis and Jorge Coelho

As much as I enjoy Say Anything (the band fronted by writer Max Bemis), I was hesitant to pick up this comic because, well, the premise sounds exactly like the pseudo-autobiographical premise of their first album "...Is A Real Boy," which kindofsortamaybe chronicled Bemis's descent into super-powered bi-polar disorder -- except that, while recording said album, Max Bemis was actually diagnosed with bi-polar disorder and locked himself up for a while. But, the book was on sale for $4 on ComiXology, so I figured hey, why not.

While I tend to be the kind of person who connects with comic books more the writing than the art (although I do love a good collaboration), I'd first look to say that the artwork on this book is PHENOMENAL. It's slightly cartoonish, but not a childish way, and accurately portrays hyperviolence, superhero action, internal mindscape struggles, and hipster culture. As for the story itself, it didn't shy away from the fact that it was a slight variation on the story that Bemis has told several times already. The basic premise is that Tim is an artist and self-loathing hipster who suffers from bi-polar disorder, and after he's institutionalized and begins taking pills, he can't create his art. So he goes off his medication, and soon discovers that his untreated condition literally gives him superpowers. But maybe he's too dangerous, and maybe there's a Shadowy Government Organization trying to create an army of Bi-Polar Super Soldiers? Meanwhile, his art is getting better, and he meets a girl.

Overall, it's a pretty enjoyable story, and while applying science fictional concepts to mental illness is nothing new, I actually think that Bemis does it in a pretty fresh way -- by essentially saying that yes, mental illness IS a superpower, but the same way that traditional superheroes suffer from their extra-human abilities, maybe it's still better if you take your pills and try to function like a normal person. That being said, I'm not sure how this book would read to someone who was unfamiliar with "hipster" culture. The main character spends a lot of the book criticizing everyone around him for being hypocrites and poseurs, and ultimately realizes that he's just the same as the rest of them. If you're familiar with Say Anything's music, Tim's rants are all basically pulled straight out of the song "Admit it!" As far as cultural critique is concerned, it is an interesting analysis of hipsterdom that I mostly agree with, even if it is a bit misanthropic (which works well in a loud rock song, but feels different as internal monologue).

That being said, I wonder how someone who was outside of or unfamiliar with "hipster culture" would feel about this book. It's very insular, and some might even say that hipsters criticizing hipsters for being hipsters is THE most hipster thing possible, and while the story does acknowledge that irony (while also criticizing irony as the cheapest form of hipster self-defense), it never quite transcends it. I suspect that if you weren't already aware of and/or immersed in that post-art-school-Williamsburg-landscape, you'd think, "Okay, so these are a bunch of Urban Outfitters asshole who are too cool for Urban Outfitters and this main character is kind of an unlikeable dick who judges everyone around him for being fake judgmental assholes -- why should I care?" And if that's you, I might suggest that you're better served by listening to "Woe" and "Admit it!" by Say Anything, which pretty much sum up the book.

My rating: 3 of 5 stars

POLARITY TP VOL 01 on Amazon

REVIEW: The Shambling Guide to New York City by Mur Lafferty

This was enjoyable, but it took me longer to get through than it should have, because I didn't care enough. It's a fun concept, I like the world, but I wish it had either been funnier, or darker (for example, and this is a slight spoiler: if you have a co-worker who's a succubus and feeds on sexual energy, and he tries to seduce your character at a nightclub because he's hungry, and you DON'T find a way to make that a metaphor either for date rape, or a regrettable but consensual one night stand with a co-worker? C'mon! It's right there!). Instead, it was kind of a mediocre middle ground between monsters and tourism that was certainly fun, but nothing remarkable. I loved the idea of Public Works, and the zombies, and some of the characters were still fun (despite the fact that I have literally no idea what the protagonist looked like). By the time the epic ending came around, which I guess was kind of cool, I was more interested in finishing the book than I was in what actually happened to any of the characters (spoilers: they all live happily ever after. lame).

My rating: 2.5 of 5 stars

View all my reviews

The Shambling Guide to New York City (The Shambling Guides) on Amazon

Now Or Later Opening!

Now Or Later officially opened this past Wednesday, and we couldn't be happier with the results! Okay, well, I guess we could a little bit, but overall, the reaction has been pretty fantastic for this "heady and provocative" 75-minute political thriller. So here's a little somethin' I put together to show off the overwhelmingly positive audience reaction, along with some footage from the production itself:[youtube http://www.youtube.com/watch?v=CyDJCgUDEKc&w=485&h=273]

True Believers Closing and More Reviews

Before I run away to Florida and sleep for 2 weeks straight because I need it, here's a final roundup of more reviews for the world premiere of True Believers:

"Dunn's script is smart and sharply written. He creates memorable and believable characters set in this world who many of us can either relate to, or just be familiar with.  The comedic moments are great and chock full of fantastic one liners. He also is able to create strong and powerful dramatic moments that help balance the comedy.  It doesn't become a parody, but a snap shot of what this world could very well be like. What else can be said about this show except only more praise?"  - MuffinEatsDragon.com

"I was impressed with this show for many reasons, but the foremost was the interesting, thoughtful story that they told extremely well. The second is that it spoke authentically to the nerd fringe community. I know, ‘nerd culture’ is the hip thing right now with comic book movies dominating the box office, but I agree with the sentiment that this newfound cash cow does not represent the community in a real way. Though it does help to normalizesome nerd culture. True Believers by Thom Dunn feels like a play that intimately knows what conventions are like. Their lights are clever, their sound is full of hilarious nerdy references, the script is clever, the characters are interesting, and the actors are brilliant. I could not recommend this show more."  - My Entertainment World

And to top it off, we were the Pick Of The Week in RadioBoston! All in all, I'd say that's not so bad for a nerdy little play about a comic book convention.

Now without any further ado, I'm going to retreat and recuperate for a few years. You'll hear from me eventually...

First review of True Believers is a rave!

From EdgeBoston:

Heroes and villains clash in Thom Dunn’s True Believers; it’s not the fate of the cosmos that hangs in the balance, but rather the personal worlds of everyone involved. This salute to comic-con is fraught with sharp writing and impeccable performances. Comic books are wildly colorful exaggerations of life, a form of contemporary myth, and Dunn understands this. Dunn’s energetic script takes on the general form of a farce, albeit one in which aimless young men dress in crude cardboard approximations of cyborg armor. The play’s particulars may be specific to a certain social subset, but its themes and motivations are universal. The characterizations are well wrought and the jokes are smart, sometimes downright wicked sharp.

Yeah, alright, I'll take that! You can read the full review online as well. We have just 5 more performances this week (Wed - Sat) before the show closes, so make sure you catch it will you can!

Haiku Beer Review: The Third!

Continuing in my established tradition from the Mass Brewer's Fest and last year's Winter Beer Jubilee, I present for you the latest installment of Haiku Beer Review, compiled at the 2012 Winter Beer Summit. I make tasting notes into my phone as the night goes on, so that I can turn them into haikus when I get home (and eventually sober up). I know, I know, I'm a genius, it's true. Anyway, enjoy! (Also, thanks to Dig Boston for the free tickets and for putting up with my whining. #thomdunnwantsbeer)

"Haiku Beer Review #3: Winter Beer Summit 2012" on FiveByFiveHundred.com

Haiku Beer Review — Part 2

In a tradition that began back in January at the Winter Beer Jubilee in Boston, I recently posted the second iteration of my "Haiku Beer Review" series, which is precisely what it sounds like — beer reviews, in haiku form (I also try to tweet Haiku Beer Reviews whenever I try a new brew at a bar). These reviews began as voice memos that were taken by my friends and I at the Mass Brewer’s Fest at the Seaport World Trade Center in Boston on September 2, 2011, but I only just got around to compiling the voice memos and turning them into haikus. Anyway, if you like beer and/or poetry and/or drinking, I'd advise you check it out (along with, hopefully, some new beers)!

"Beer Review Haiku part Two" at FiveByFiveHundred.com

#1stWorldProblems: The Novel

Apparently Nicole Richie is a New York Times Bestselling Novelist. I'm sorry, I'm not sure if you heard me correctly. Nicole Richie is a New York Times Bestselling Novelist.

Upon discovering this fact, I took upon myself to read the debut novel responsible for awarding her such a distinction.

While it would be harsh and unfair to say that I regret this decision, I can confidently say that it was hardly a good decision. Next time such a thought crosses my scattered and impulsive mind, I implore you to stop me and question my poor decision-making skills.

In the meantime, I hope you enjoy my objective critical review of the novel over on DailyGenoshan.com.

Review: "The Truth About Diamonds," by Nicole Richie

Review: Fun & Games by Duane Swierczynski

Fun & Games, the newest novel from crime fictioneer/Marvel Comics scribe Duane Swierczynski, is the first installment in a trilogy of books about protagonist Charlie Hardie, an ex-cop(-ish) with a blood past from Philadelphia (where else?). It's a frantic loveletter to LA noir, with blistering energy and labyrinthine conspiracies revealing how Hollywood really runs the world. So it's kind of like Mulholland Drive, except it actually makes sense (no offense, David Lynch). Read my full review of Fun & Games over at DailyGenoshan.com!

Kitties and Nihilism. Yum.

Better late than never, I have a new review up on DailyGenoshan.com of The Meowmorphosis, the latest literary mash-up from Quirk Books, wherein Gregor Samsa awakens to find that he turned into a giant cockroach giant adorable kitty. From the publisher:

“One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that he had been changed into an adorable kitten.”

The phenomenal success of Pride and Prejudice and Zombies inspired a massively popular literary-remix movement. Now Quirk Classics once again charts bold new territory, turning the monster-mash-up formula inside out to infuse Franz Kafka’s horrific masterpiece, The Metamorphosis, with the fuzziest, snuggliest, most adorable creatures possible: kittens!

Meet Gregor Samsa, a humble young man who works as a fabric salesman to support his parents and sister. His life goes strangely awry when he wakes up late for work and finds that, inexplicably, he is now a man-sized baby kitten. His family freaks out: Yes, their son is OMG so cute, but what good is cute when there are bills piling up? And how can he expect them to serve him meals every day? If Gregor is to survive this bizarre, bewhiskered ordeal, he’ll have to achieve what he never could before — escape from his parents’ house. Complete with haunting illustrations and a provocative biographical exposé of Kafka’s own secret feline life, The Meowmorphosis will take you on a journey deep into the tortured soul of the domestic tabby.

Book Review: The Meowmorphosis by Franz Kafka & Coleridge Cook on DailyGenoshan.com

Time Travel! Murder! Philadelphia! OH EM GEE!

Most people who know me can vouch for the fact that I love just about anything involving (a) time travel, or (b) noir tropes. Fortunately, Expiration Date, the latest novel from Philadelphia genre master Duane Swierczynski, features both (along with some great beer and records. Even better!), and you can read my full review over at DailyGenoshan.com. Here's the blurb from the back of the book:

Recently unemployed journalist Mickey Wade lucked into a rent-free apartment — his sick grandfather's place. The only problem: it's in a lousy neighborhood — the one where Mickey grew up, in fact. The one he was so desperate to escape.

But now he's back. Dead broke. And just when he thinks he's reacher rock bottom, Mickey wakes up in the past. Literally.

At first he thinks it's a dream. All of the stores he remembered from his childhood, the cars, the rumbles of the elevated train. But as he digs deeper into the past, searching for answers about the grandfather he hardly knows, Mickey meets the twelve-year-old kid who lives in the apartment below.

The kid who will grow up to someday murder Mickey's father.

Book Review: “Expiration Date” by Duane Swierczynski on DailyGenoshan.com

Review: The Nightly News

The VOICE says: When killing activists, never shoot for the head, always aim for the heart."

Over at DailyGenoshan.com, I've posted my review of Jonathan Hickman's debut book The Nightly News, which combines contemporary graphic design, infographics, prose, photorenderings, and comic book dialogue with a gazillion conflicting narratives to tell the story of a domestic terrorist cult determined to take down the American news media. In case that sentence wasn't clear, it's absolutely nuts. Check it out.