In a tradition that began back in January at the Winter Beer Jubilee in Boston, I recently posted the second iteration of my "Haiku Beer Review" series, which is precisely what it sounds like — beer reviews, in haiku form (I also try to tweet Haiku Beer Reviews whenever I try a new brew at a bar). These reviews began as voice memos that were taken by my friends and I at the Mass Brewer’s Fest at the Seaport World Trade Center in Boston on September 2, 2011, but I only just got around to compiling the voice memos and turning them into haikus. Anyway, if you like beer and/or poetry and/or drinking, I'd advise you check it out (along with, hopefully, some new beers)!
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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).