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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Legend of the Great Sigourney Weaver

My latest Badlands episode was pitched to me with a helluva challenge. My editor Zeth came to me and said, “We want to do an episode about Sigourney Weaver,” which made me raise an eyebrow. As far as I was aware, Sigourney Weaver wasn’t really someone with a reputation for sex, drugs, and other lurid activity, ya know? I feel like she’s a pretty wholesome person.

But Zeth had an idea. There was – as I learned — apparently a really fucked up murder case that got into all kinds of slippery complications in the legal system. And the killer — who, to be clear, definitely did it — apparently had a serious mental break that involved worshiping Sigourney Weaver as a goddess.

So that would be my “in” to the story. Tell the story of Sigourney Weaver’s life, through the veil of this horrifying crime.

I always do a lot of research for these podcasts. But this is the only time I found myself looking up old court transcripts and appeals. Badlands is a stylized show, and I wanted to honor that pulpy aesthetic without glamorizing the horror and trauma at the center of it. I wanted to approach it with empathy and truth, inasmuch as I could in this situation.

I think I did a pretty damn good job, if I do say so myself.

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My new BADLANDS podcast about Robins Williams is now out everywhere!

I’ve been doing some freelance writing work lately for Double Elvis Productions, the company behind the popular true crime music podcast Disgraceland (which also just aired its 100th episode). The first of my scripts to go live is the ✨season finale✨ to the latest season of Badlands: Hollywoodland, which goes deep on the dark side of Robin Williams’ life, leading up to this tragically complicated death.

I’m really, really effing proud of the work I did on this one. It’s obviously a sensitive subject, and one that really affected me personally on a lot of levels, and I think I did a damn good job of handling it with care, without losing the delight and humanity of the story. Also, it was just a cool experience scripting within an established episode format, with a pre-existing structure and stuff.

You can check out the episode below, or on whatever podcast platform you prefer:

…Also did I mention that, right after my episode premiered, we shot to #1 (!!) on the Apple Podcast History charts?! I GOT A #1 HIT, BABY! (in the same sort of technicality way like how I sort-of kind-of have a Tony Award, but still)

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