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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Legend of the Great Sigourney Weaver

My latest Badlands episode was pitched to me with a helluva challenge. My editor Zeth came to me and said, “We want to do an episode about Sigourney Weaver,” which made me raise an eyebrow. As far as I was aware, Sigourney Weaver wasn’t really someone with a reputation for sex, drugs, and other lurid activity, ya know? I feel like she’s a pretty wholesome person.

But Zeth had an idea. There was – as I learned — apparently a really fucked up murder case that got into all kinds of slippery complications in the legal system. And the killer — who, to be clear, definitely did it — apparently had a serious mental break that involved worshiping Sigourney Weaver as a goddess.

So that would be my “in” to the story. Tell the story of Sigourney Weaver’s life, through the veil of this horrifying crime.

I always do a lot of research for these podcasts. But this is the only time I found myself looking up old court transcripts and appeals. Badlands is a stylized show, and I wanted to honor that pulpy aesthetic without glamorizing the horror and trauma at the center of it. I wanted to approach it with empathy and truth, inasmuch as I could in this situation.

I think I did a pretty damn good job, if I do say so myself.

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