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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Multiverse On Stage

Over at Tor.com, I talk about Nick Payne's Constellations, a play which I unfortunately have not seen, but one that I have read and would absolutely love to see. Except that maybe in the world of this simultaneous-multiverse-hopping-romance, I have actually seen the play somewhere. Plus every other parallel reality happening possible. It's kind of nuts, and kind of beautiful, but I describe it better over there, so check it out:

"SFF Onstage: Nick Payne's Constellations" on Tor Dot Com