Instead of the usual political opinions, I tried instead to write a piece that explores politics without being overtly political. Although my editors at Tor were initially hesitant of the controversy, they were ultimately pretty pleased with the product! And so, my latest article at Tor Dot Com explores the centrist politics of Brian K. Vaughan's Superhero-Turned-Mayor-Of-New-York-City epic Ex Machina, which actually takes an impressively (if ultimately depressing) nonpartisan view at the ups and downs of American politics, only with lots more punching and invaders from alternate realities (obvi).
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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).