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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

It's All In The Ears

So apparently there are some people out there who are absolutely disgusted by the sight of attached earlobes. (I assume that these are the same people that experience actual physical revulsion at the sound of the word "moist") (you know who you are) Still, it got me thinking a bit about bigotry, and the features that people are born with that lead to discrimination. Thus, instead of stooping to making fun of Jeph Loeb again, I decided to write a short fiction piece about a world in which those with attached earlobes suffer from the same kind of humiliation, discrimination, and hate as some of the more persecuted minority groups today. I guess what I'm trying to say is, attached earlobes is the new Black. I mean, not that — I don't mean like — I'm not a racist, but — oh, forget it.

"Lobe Lobe Lobe" on FiveByFiveHundred.com