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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

A Portrait of the Artist as a Young Man

It's been a busy week 'round this here parts, so no brand new post over at Five By Five Hundred. Instead, and in honor of James Joyce's body of work becoming public domain, I've shared an oldie-but-goodie that I wrote about 5 years ago, inspired by the first and last lines of Joyce's magnum opus, Finnegans Wake (no, I haven't read the whole think, but I've read some of it). It's a little avant-garde, but it's one I'm pretty proud of from back in the day.

"(riverrun)" at FiveByFiveHundred.com