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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Last Caress

Every year, I tell myself that I'm going to do #NaNaWriMo, but sadly, I never get very far. November is always an incredibly busy time of year me, and it's not like I'm not writing or working on other things; it's just a difficult time to focus on cranking out those 50,000 words. Still, I use the time I would otherwise dedicate to #NaNoWriMo to work on any of those other projects, including those kind of horror-punk-rock-young-adult story I've been throwing around (tentatively titled "Last Caress" after my favorite song by The Misfits). Over at Five By Five Hundred, I've included a small excerpt, comparing the local punk rock scene to the creation of a living Frankenstein-esque monster (yes, I realize that Frankenstein was the scientist, not the monster, but it would sound kind of ridiculous if I called it a 'Frankenstein's monster-esque monster,' right?)

"Where Eagles Dare" at FiveByFiveHundred.com

(side note, "Last Caress" by the Misfits is also, without competition, the single greatest pop song ever written about killing babies. Just, uh, just sayin')

[youtube http://www.youtube.com/watch?v=F39UP1mjAnc&w=420&h=315]