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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Behold: The Cyborg Head of Stan Lee!

Clearly I've been pretty busy with this playwriting fellowship, writing and re-writing and writing some more. (I'm pretty sure I killed about 7 trees in the last 2 weeks. WHOOPS) And of course, as soon as I'm back to Boston, I'm immediately thrown back into the grind. As such, this week's post on Five By Five Hundred isn't a new piece of writing, per se; instead, it's a monologue from my play that unfortunately had to be cut (by no fault of its own, of course). Amongst the (many) other bizarre, larger-than-life characters featured in True Believers, there is one that stands above the rest.

Or, rather, rests on a wooden base with plastic wires and tubing, presumably for life support. Meet: The Cyborg Head of Stan Lee. Which is kind of like the Head of the John Baptist, or Pope Sylvester II's brazen head, except with more clever catch phrases like, "Stay tuned, True Believers!" and "Excelsior!"

"The Cyborg Head of Stan Lee" on FiveByFiveHundred.com

(And let's be honest: now you're REALLY intrigued by this new play I'm working on, right? Thought so.)