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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Merry Christmas (Eve)!

I figure must people are busy spending time with their families (as they should be!), so here's a quick update for you to enjoy while you're in the bathroom or waiting for family to arrive or whatever. First, over on Five By Five Hundred, I whipped up a brief little parody piece after one of my own family's favorite traditions that I think everyone can enjoy -- "'Twas The Night Before Christmas Break."

And then there's this:

[youtube=http://www.youtube.com/watch?v=sDheBMWy7Ic]

You're welcome. Merry Christmas! (and equivalent non-Christian holiday greetings, of course)

Don't Take My Word For It...

In case I somehow haven't said enough to convince you to go see Our Town at the Huntington, here's a little video I put together of what OTHER people have said about the show right after seeing it (along with some exclusive footage from the production itself). So if you don't trust me, trust them instead! Peer Pressure! [youtube=http://www.youtube.com/watch?v=mXAsKJ62LAU]

Molesting a Metaphor

Just a quick update -- it's been a rather intense weekend for everyone. But here's my newest post on Five By Five Hundred, a quick little wordplay piece of prose that attempts to go too far on the idea of "molesting a metaphor" (based on a recent LitReactor.com article on how NOT to use a metaphor). I don't know, it just sounded fun. Enjoy!

"It's a Metaphor, Fool" on FiveByFiveHundred.com

Wow. Our Town. Wow. Okay.

[youtube=http://www.youtube.com/watch?v=dPwJ-8cGXpI] I say this with no personal bias -- not because my wonderful girlfriend, the producer of this fine production, has been busting her ass for 10 months to make this show as a reality, and not as an employee of the theatre company that is presenting the show.

David Cromer's production of Our Town at the Huntington is one of the Desert Island All-Time Top 5 Most Moving Shared Communal Experiences I have ever had in my entire life.

Perhaps it's especially poignant for me when I think of the friends that I've lost in recent years, but I watched the show on both Tuesday and Wednesday night, and I couldn't stand to watch it for a third time last night for our opening because I was already so overwhelmed with emotion. Three days in a row, and I think I would be eternally reduced to a sobbing puddle of flesh lying in fetal position on the floor. Yes, this show is so good that I literally could not watch it a third time (although I will probably go back at the end of the run, and hopefully catch some things I missed the other 2 times, because there's so much to see in the nothingness of this production, and as the play itself suggests, we can't possibly appreciate all of it when it's happening).

Anyway, there's a video I made up there about the show. I cannot stress enough how powerful and poignant this production truly is. Our Town might be seen as hokey and sentimental and high school-y to many people (though oddly I grew up in Thornton Wilder's hometown and never read or saw the show once, although I did play lots of shitty punk rock shows at Thornton Wilder Memorial Hall), but man, David Cromer just gets it, in a way that'll just blow your mind.

(Also don't read the review in The Boston Globe because [a] it's douchey, [b] IT SPOILS THE END OF THE PLAY, and [c] it's douchey. Yes, Our Town has been around a while, so there are certain spoilers that are now beyond the statute of limitations, but to spoil what makes this production so remarkable -- and to spoil it in such a nonchalant manner -- is awful. If this guy had reviewed The Sixth Sense when it first came out, he would have said "And then it turns out that Bruce Willis was dead the whole time which was totally brilliant and stunning -- I mean, that is to say, if you're one of those people who enjoys brilliant and stunning things or whatever. But otherwise, meh.")

Music To Soothe Your Jangled Innards

Quick update about a few events I've got coming up. One, I'll doing a show THIS Friday, December 14 at the All Asia in Central Square, Cambridge with my / Boston's premiere all-male hard rock Lady Gaga cover band Alejandro and the Fame. These shows are always a blast for everyone involved, and are almost always guaranteed to sell out, so make you get there (lookin' at you, People On The Other Side Of The River Who Missed Our Last Show Because It Was Allllllll The Way In JP Oh BooHoo). Admission is a scant $6, and we hit the stage around 10:30pm! I'm also excited to announce that I'll be performing a short set for MORTIFIED at Oberon on Saturday, December 22. For those who haven't heard of this, MORTIFIED is a night of performance in which real-live grown adult humans read horribly horribly embarrassing things from their high school journals / AIM transcripts / etc, and hilarity ensues. And so, during my set, you'll be treated to some particularly painful gems that I dugout from my high school and middle school songwriting notebooks. Ever wonder what kind of angsty tunes I wrote when I was 14 (including "Dot of my 'I'" and instant never-classic "Fuck You Hotchkiss Lane")? Here's your only chance to hear them live! More information to come when I got it.

And finally, I was asked to write up a few scripts for the 2nd Annual Boston One-Minute Play Festival at the Boston Playwrights Theatre, January 5-7. I believe the evening as a whole contains about 100 one-minute plays (yes, really, but c'mon, that's barely an hour and a half!), so I'm sure there's going to be some great variety. And if you don't like a play, well, just wait one minute! I will say that writing a play, complete with a status quo, conflict, rising action,and denouement is remarkably more difficult than you might expect it to be, but I'm pretty pleased with what I came up with (and I should be blogging a bit more about it soon over at their website).

That's all for now, folks! See you Friday!

Holiday Special

Today on Five By Five Hundred, I decided to kick off our celebration and excitement for the upcoming holiday season. No, not Christmas; I mean the end of the world! With only 12 days left until the supposed Mayan Apocalypse / World Shift / New Age / Another Boring Saturday Where Nothing Significant Actually Happens Or Changes, I decided to tweak one of your perennial holiday favorites and update it for the times. Enjoy!

"The 12 Days Of Apocalypse" on FiveByFiveHundred.com

ALSO! In case you don't already follow the rest of the daily exploits on 5x500 without me telling you (for some bizarre reason I don't know why you wouldn't), we are currently taking submissions for a new weekly contributor to join us on Sundays! Follow link to learn all about the necessary submission information in handy haiku form. All we ask is that you post a new something every Sunday in keeping with the theme of the website. "What's the theme of the website?" you ask, like some fool who hasn't even been paying attention. "Glad you asked!" I respond through gritted teeth. I pause for a moment as I hiss in my breath and explain that the only criteria is that must write something and that it must be under 500 words. Poetry, prose, scripts, rants, memoirs, serial fiction, serial murders -- whatever, it doesn't matter, just as long as it's under 500 words. Simple enough, right?

If you think you have what it takes, check out our submission guidelines. We look forward to hearing from you!

The Truth About Thom Dunn: Revealed!

I think when most people meet me for the first time, they get a pretty good read at who I am, and nearly all of them leave this first encounter with an awareness of most, if not all, of these essential Thom Dunn truths:

  • I really like comic books
  • I really like beer
  • I really like being awesome
  • I am awesome
  • I really like being Irish
  • I have much better taste in music than you, and if I don't, I will gladly engage in friendly albeit heated debate with you about it
  • I really, really hate Journey

Most of these facts require very little explanation, but it's the last one that does occasionally lead to controversy.

I've decided that it's time for me to set the record straight once and for all, and explain myself to the Internets.

But keep in mind that the truth can sometimes be a bitter pill to swallow. I think I might be mixing metaphors there, but I don't care. You have been warned.

"Why I Hate Journey (the band)" on FiveByFiveHundred.com

Our Town In Boston

First of all, I'd like to take a quick moment to wish myself a Happy Birthday. So, Happy Birthday, Me! Thanks, Me! Fun fact: Our Town playwright Thornton Wilder spent most of his life and is buried in my home town of Hamden, CT. Other fun fact: I never actually knew anything about Our Town or Thornton Wilder when I still lived in Hamden, but I did play lots of shitty punk rock shows in the Thornton Wilder Auditorium, so, ya know, there's that.

Our production of Our Town at the Huntington opens next week, and I'm incredibly about finally having the chance to see this show in this way. David Cromer, the director, won a MacArthur "Genius" Award, largely for his work on this show, and everyone who's seen it so far (it's been performed in several different incarnations across the country before this, but this is the same design and approach, with a new, all-Boston cast) has raved about how incredibly how much, how much the show affected them and blew their minds away.

But don't take my word for it. Here's a new video I made about it:

[youtube=http://www.youtube.com/watch?v=xl_Z1uqkwQk]

(Did I mention that my good friend Jeff Marcus AKA "Calvin Elder" AKA Avenger from True Believers is in the show as well? Sorry, no spandex this time)

More Fictional Music Stuff

I actually wrote this article quite while ago, and I was pleasantly surprised to see it hit the waves of the Internet today. Similar to another post I did over at Tor, this one breaks down a few of my favorite fictional rock bands (some of which have managed to become nonfictional as well, which is a particularly impressive feet). Check it out!

Five Of Our Favorite Fictional Bands at Quirk Books

Welcome to the C-Wood

The Calderwood Pavilion at the Boston Center for the Arts has a very special place in my heart. I was hired there to work as an usher in my first few weeks of college, and it ended up serving as my main place of employment throughout those 4 years. By my Junior year, I had moved up to Assistant House Manager, and started doing some administrative work as well -- which helped leverage me into my current position at the Huntington, as we manage that building as well. (plus my first apartment was right next to it, which was a convenient commute for work, but, well, the story of that apartment is a whole other thing) It's a beautiful modern theatre space with 4 performance spaces as well as rehearsal rooms and more, and it serves a lot of great smaller theatre companies, in addition to our own shows. Here's a video I put together as part of our fundraising campaign at the Huntington, showing the impact that the building has had the community.

[youtube=http://www.youtube.com/watch?v=k22X0VJMskI]

The Beauty of Meat Loaf

This is something I've been meaning to do for a while, but this week on Five By Five Hundred, I decided to take some prose and apply it to music. Meaning, I've tried to recreate a song with words instead of music. And what better song to try this little experiment on than Meat Loaf's (and Jim Steinman's) magnum opus "I'd Do Anything For Love (But I Won't Do That)," because c'mon, that song's awesome. Also I'd advise you read all the way to the end...

"'THAT'" on FiveByFiveHundred.com

Too Busy

First of all, thanks to everyone who came to our Alejandro & the Fame show this past Saturday. We completely sold out the venue, which is always a cool feeling*, plus Shaymus Moynihan and the gang at the Midway treated us with some truly fantastic hospitality while we were there. (Read: free drinks) Anyway, point is: it's Monday, and after a hard day of writing, I've got a new piece up at Five By Five Hundred about time. We could all use more free time, yeah? And yet, somehow, no one blames the government. Maybe they're taking all of our free time, hrmmm? Even though it's supposed to be free?

Yes, I know, that sounds ridiculous. But it made for a fun little flash fiction sketch.

"FREE TIME" at FiveByFiveHundred.com

*Although, at the same time, it was kind of depressing, because apparently people come out in droves to see 5 guys shredding their way through Lady Gaga songs, but no one cares about original music. But I digress.

This Saturday — Alejandro & The Fame In JP!

Boston's premiere all-male Lady Gaga cover band plays the Midway Cafe in JP! Doors at 8pm! Be there! I can literally walk my equipment over to the club from my house! Wooohoo!

Oh yeah, and here's the Facebook event. Whoops. Sorry, I got excited.

And remember: just dance, motherfuckers

They Like Me! They Really Like Me!

GOOD NEWS: The 2012 BroadwayWorld Boston Award nominations are out, and my play True Believers has been nominated for a ton of them, including Best Actor, Best Actress, Best Direction, and Best Ensemble (they seem to have gotten rid of the "Best Play - Small/Fringe" category this year, jerks) BAD NEWS: Now you have to go vote for me. With every email address you have. Also tell your friends to do the same. Or else The Cyborg Head of Stan Lee will come to your house and destroy your soul. KTHXBYE.

(also, while you're at it, vote for my girlfriend M. Bevin O'Gara's incredible production of Love Person at Company One, in all of those categories, too, 'cause she's awesome.)

(you can also vote for the Huntington in all of the Large Theatre categories as long as you're there, ya know?)

Memory, Time, and Infidelity

Here's a little behind-the-scenes documentary that I put together for our upcoming production of Harold Pinter's Betrayal at the Huntington. This was one of the first plays to famously explore a nonlinear chronology, which is one of its more interesting qualities (basically, LOST owes a lot to Betrayal). Anyway, check it out. Previews start Friday! [youtube http://www.youtube.com/watch?v=vBcAW2uCqHo]