Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).
Previews start tomorrow at the Huntington for our stage adaptation of Ralph Ellison's seminal novel Invisible Man. If nothing else, this is simply one of the most stunning visual feats for storytelling I've seen. Here's a little video I put together about the play from interviews I did with the creators and the lead actor playing Invisible Man. Check it out: [youtube=http://www.youtube.com/watch?v=lgoMI-I21Co]
Invisible Man plays Jan. 4 — Feb. 3 at the Avenue of the Arts / BU Theatre.
(that's "Happy New Years" in Irish, 'natch)
It's a busy end to the Holiday Season, with back-to-back-to-back celebrations, but here's a quick update on some things. First, a little New Years poem I wrote over at Five By Five Hundred about 2012's significant lack of jetpacks. I also wrote a little blog / essay about my brain as a writer entitled "Less Talk, More Rock" for the Boston One Minute Play Festival, which is this coming weekend, January 5-7, at Boston Playwrights Theatre, and features two short plays that I wrote. I have very specifically avoided rehearsals, so I'm excited to see what's going to come out of the little bits of text I wrote. If you're interested but unavailable to make it to the show, the 8pm performance on Sunday, January 6 will be streamed live on HowlRound's NewPlay TV, so you can watch the whole thing from the comfort of your laptop.
That's all for now; see you in The Future!
[youtube=http://www.youtube.com/watch?v=dPwJ-8cGXpI] I say this with no personal bias -- not because my wonderful girlfriend, the producer of this fine production, has been busting her ass for 10 months to make this show as a reality, and not as an employee of the theatre company that is presenting the show.
David Cromer's production of Our Town at the Huntington is one of the Desert Island All-Time Top 5 Most Moving Shared Communal Experiences I have ever had in my entire life.
Perhaps it's especially poignant for me when I think of the friends that I've lost in recent years, but I watched the show on both Tuesday and Wednesday night, and I couldn't stand to watch it for a third time last night for our opening because I was already so overwhelmed with emotion. Three days in a row, and I think I would be eternally reduced to a sobbing puddle of flesh lying in fetal position on the floor. Yes, this show is so good that I literally could not watch it a third time (although I will probably go back at the end of the run, and hopefully catch some things I missed the other 2 times, because there's so much to see in the nothingness of this production, and as the play itself suggests, we can't possibly appreciate all of it when it's happening).
Anyway, there's a video I made up there about the show. I cannot stress enough how powerful and poignant this production truly is. Our Town might be seen as hokey and sentimental and high school-y to many people (though oddly I grew up in Thornton Wilder's hometown and never read or saw the show once, although I did play lots of shitty punk rock shows at Thornton Wilder Memorial Hall), but man, David Cromer just gets it, in a way that'll just blow your mind.
(Also don't read the review in The Boston Globe because [a] it's douchey, [b] IT SPOILS THE END OF THE PLAY, and [c] it's douchey. Yes, Our Town has been around a while, so there are certain spoilers that are now beyond the statute of limitations, but to spoil what makes this production so remarkable -- and to spoil it in such a nonchalant manner -- is awful. If this guy had reviewed The Sixth Sense when it first came out, he would have said "And then it turns out that Bruce Willis was dead the whole time which was totally brilliant and stunning -- I mean, that is to say, if you're one of those people who enjoys brilliant and stunning things or whatever. But otherwise, meh.")
Quick update about a few events I've got coming up. One, I'll doing a show THIS Friday, December 14 at the All Asia in Central Square, Cambridge with my / Boston's premiere all-male hard rock Lady Gaga cover band Alejandro and the Fame. These shows are always a blast for everyone involved, and are almost always guaranteed to sell out, so make you get there (lookin' at you, People On The Other Side Of The River Who Missed Our Last Show Because It Was Allllllll The Way In JP Oh BooHoo). Admission is a scant $6, and we hit the stage around 10:30pm! I'm also excited to announce that I'll be performing a short set for MORTIFIED at Oberon on Saturday, December 22. For those who haven't heard of this, MORTIFIED is a night of performance in which real-live grown adult humans read horribly horribly embarrassing things from their high school journals / AIM transcripts / etc, and hilarity ensues. And so, during my set, you'll be treated to some particularly painful gems that I dugout from my high school and middle school songwriting notebooks. Ever wonder what kind of angsty tunes I wrote when I was 14 (including "Dot of my 'I'" and instant never-classic "Fuck You Hotchkiss Lane")? Here's your only chance to hear them live! More information to come when I got it.
And finally, I was asked to write up a few scripts for the 2nd Annual Boston One-Minute Play Festival at the Boston Playwrights Theatre, January 5-7. I believe the evening as a whole contains about 100 one-minute plays (yes, really, but c'mon, that's barely an hour and a half!), so I'm sure there's going to be some great variety. And if you don't like a play, well, just wait one minute! I will say that writing a play, complete with a status quo, conflict, rising action,and denouement is remarkably more difficult than you might expect it to be, but I'm pretty pleased with what I came up with (and I should be blogging a bit more about it soon over at their website).
That's all for now, folks! See you Friday!
Boston's premiere all-male Lady Gaga cover band plays the Midway Cafe in JP! Doors at 8pm! Be there! I can literally walk my equipment over to the club from my house! Wooohoo!
Oh yeah, and here's the Facebook event. Whoops. Sorry, I got excited.
And remember: just dance, motherfuckers
Here's another video I made for the Huntington's upcoming production of Good People by David Lindsay-Abaire (previews start this Friday!). [youtube http://www.youtube.com/watch?v=2X_Yk1t_Q7Q]Following its successful premiere on Broadway last year, Good People is one of the most produced plays in the country in the coming theatrical season -- but we're the only theatre producing this Boston-centric play in the city of Boston itself. I spoke with the director (an Acton native) and members of the cast (one of whom is from Southie, another from Watertown) about the pressures and rewards of doing this popular new play in the city in which its based. The general consensus seems to be that the city of Boston is in fact the central character of the play, a little bit of universal anthropomorphizing that I can totally get behind (and also feels very noir to me, considering the role that LA plays in the work of Raymond Chandler, hrmmmm....)
(Also, the playwright himself gave his public approval of the piece on twitter. And he's got a Pulitzer. Eat that, Alyssa Milano!)
The first show in our upcoming season at the Huntington is the Broadway hit Good People by South Boston native David Lindsay-Abaire. The show tells the story of a struggling middle-aged single mom in Southie who loses her job and looks up an old flame (who got out of the Southie projects and is now a doctor living in Chestnut Hill) to help her out. It's a powerful, Boston-centric play that focuses on class issues in America in ways that are remarkably relevant to the country right now, and that frankly, aren't actually addressed that much in American theatre. But enough of that. Here's a little teaser trailer I put together for the show, chronicling the physical journey from South Boston (Corner of F and Tudor, to be precise) to Chestnut Hill on the MBTA, mimicking Margie Walsh's own journey in the second act of the play. Hear you me: it was a long ride.
(also, don't ever call me Thommy)
[youtube http://www.youtube.com/watch?v=Oh03l2Ds2jU&w=480&h=270]
Good People plays September 14 - October 14 at the Avenue of the Arts / BU Theatre. AND, if you're under 35 (which I suspect most of you reading my website are...) tickets are only $25, and we've got a sweet party coming up on September 14, where your ticket also includes a live band and free drinks after the show.
Here's a little peek at True Believers, for those of still waiting / unable to see it (or for those of you who want to relive the experience). All photos by Paul Cantillon / LIDEC Photo.[slideshow]
Okay. Breathe. We just made it through opening weekend of True Believers, which saw mostly packed houses and very responsive audiences (and only a few technical malfunctions that hopefully no one noticed but me). All in all, I'd say it's going well so far! We'll just have to wait and see what the critics have to say about it. In the meantime, here's a little interview I did with Jacqui Bryant, a local Boston entertainment blogger, about the show. Full disclosure: I thought she was writing an article, not posting the full interview transcription, so some of my answers, uh, well, they go on for quite a while (I wanted to give her a lot of information to pull from!)
We also got a nice shout out in the print & online version of DigBoston / The Weekly Dig:
Now, you might assume this unconventionally comedic play (penned by local playwright and Emerson College alum Thom Dunn, go Lions etc.) chronicling the interactions between conventional comic convention-types—aspiring artists, single-minded fanboys, haute couturecosplayers and so on—would be a tad nerdy. You would be right. Some World’s Greatest Detective stuff, that is. But just how nerdy are we talking? Try “Cyborg Head of Stan Lee” nerdy. Yes, that’s a kind of nerdy. The “most” kind.
Ha. Thanks, guys (I think...)
Opus Affair, a social group for young professional interested and involved in the arts in around the Boston area, also highlighted the show in their "On the Town" weekly roundup, praising it with favorable comparisons to both Closer and Magic Mike (both of which I assume were intended as compliments though I'm not entirely sure...)
Anyway, stay tuned, True Believers, for more updates, including production photos and...The Cyborg Head of Stan Lee!
So when I'm not in rehearsals for / plowing through re-writes on TRUE BELIEVERS, I still, of course, have my day job to deal with (which has been incredibly supportive and helpful through this entire process, so hooray for gainful employment!). While our 30th anniversary season at the Huntington is now over (and what a successful season it was!), we're now busy gearing up for the fall and the start of our next season, which means lots of work (because it always does) but less immediate hard deadlines (which I guess is now...for now, until it's not). ANYWAY, here's a video I made of our Artistic Director, Peter DuBois, discussing the first show in our 2012-2013 Season, David Lindsay-Abaire's recent Broadway hit GOOD PEOPLE (conveniently set in good ol' South Boston). Check it out:
[youtube http://www.youtube.com/watch?v=odPjupNifbM]
After recovering from his earlier coughing fit, "rogue video blogger" Billy Horowitz continues with his Top 5 Reasons Why THE AVENGERS Movie Totally Sucked And Also Was Stupid. Tickets for the world premiere of TRUE BELIEVERS are going fast, with only 50 seats in the theatre, so make sure to get yours ahead of time while you still can! [youtube http://www.youtube.com/watch?v=gtR7kMEf5q4]
Here's a little sneak peek at the world premiere of my new play True Believers. Billy Horowitz is a self-proclaimed "rogue video blogger" (as well as a cyborg), and his passion for comic books tends to drive him into a destructive frenzy. His video blogs feature prominently into the play, projected on the stage, and here, Billy takes his shot at The Avengers movie. [youtube http://www.youtube.com/watch?v=cB6f0bb-n1Y]
Rehearsals for my new play True Believers are now well under way! I'm incredibly to be working with our talented and enthusiastic cast, featuring:
Tickets are on sale now. The show runs July 12 - 21 at the Piano Factory Theatre in Boston's South End. Check back soon for more updates!
I have a confession to make. I didn't really bring t-shirts for everybody. Although I do have these sweet new business cards! So that's cool, right? I know I've been slacking (again) lately (again) with keeping this website updated with all of my various doin's. But it's not like I've not been not doing things (...or is it?)! Instead, I've just been too busy doing things to, ya know, write about doing things. It's kind of why I hate meetings in general, because I'd rather be doing things, than talking about doing things. So this website's kind of like a meeting then. Except I don't hate it; in fact, I quite love my little website here. So really, not like a meeting at all.
(shut up Thom) Okay so here's a brief rundown of where the hell I've been:
Over at the Huntington, we're getting ready to open our production of Ma Rainey's Black bottom, the first Broadway hit by August Wilson. It's also the last show in Wilson's Century Cycle to be produced by us; starting with Joe Turner's Come and Gone, Wilson had a home at the Huntington in developing his plays before they hit Broadway, so it's a particularly special occasion. Here's a short teaser trailer I cut together for the show:
Tonight. Alejandro and the Fame rocks your favorite seedy drag club in downtown Boston. Drag queens upstairs; all-male glam rock Lady Gaga cover songs downstairs. You've been warned.
And so begins the madness. First, I'll be performing tonight at Mortified Boston, thanks to the fantastic Ms Lisa McColgan (a co-worker over at the Huntington, as well as a fellow writer on Five By Five Hundred and possibly the world's biggest zombie enthusiast). I'll be singing a hilariously embarrassing song that I originally wrote in high school, so if you want to see me get up and stage and humiliate myself, well, that's the place to be. On a less romantic note, this week's Five By Five Hundred entry recalls an encounter with one of my favorite homeless people on the entire planet (yes, I have more than one favorite homeless person). Singing the praises of a confessed former-gang-banger might not seem like the most topical choice for a Valentines Day post, but, well, in light of recent events *cough*Chris Brown*cough*, it makes some form of sense in my warped mind.
It's a good week for being me! I opened up a print copy (on newsprint! Gets on your hands!) of Boston's Weekly Dig, only to find that they reprinted my tweet to them about my Haiku Beer Reviews from last week's Beer Summit (for which I had tickets from the Dig), and they even printed one of the haikus (for ZOMBIE KILLER Meade from B.Nektar) in their pages. This marks the second time that the Dig has printed one of my silly poems (the last time being in October, 2010 in their "Oh, Cruel World!" column, wherein I expressed my violent rage about a bicycle accident in verse) which all just makes me think that they should give me a job as "Official Writer of Silly Verse" or something. Vagabond Theatre Group, who is the producing the upcoming reading of my play True Believers, posted a lovely and thoughtful blogpost about my play, and the trend (or lack thereof) of comic book-related stories in theatre. It's a brief but flattering piece, that you should check out if you have the chance!
Coming up: even more news that I can't quite officially announce yet. Hollerr.
I recently did an interview with Vagabond Theatre Group, who will be producing a staged reading of my play TRUE BELIEVERS in just a few weeks. As to be expected, I am incredibly charming and witty throughout. Check it out!
Look, Ma! I'm in a comic book!
I'm excited to announce that the lovely people at Vagabond Theatre Group like me so much that they've decided to present a my new full-length play True Believers as the next staged reading/public workshop in their There Will Be Words reading series. I've met with the production team once so far, but they seem incredibly enthusiastic about my work (and impressed me with their own comic book/sci-fi/nerdery knowledge, which is of course very important, especially in a piece like this), so I'm looking forward to presenting the latest draft for a smart Boston audience. The reading will take place Thursday, February 9 at Trident Booksellers & Cafe at 338 Newbury Street in Boston. Admission is free, but for a suggested $2 donation (plus Trident serves delicious food and a great selection of craft beers).
And yes, the Cyborg Head of Stan Lee will be in attendance. Hope to see you there!
