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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

In Defense of Pub Writing

Every Wednesday, literary blog The Things They Read has a feature called Where We Live that focuses on, "the different places that writers and readers live, in a deeper sense than simply geography — the mental and emotional space they inhabit during their creative lives." This week's article is by yours truly, and explores the Brendan Behan Pub in Jamaica Plain, one of my personal favorite bars in the entire universe, and the lost art (in America) of pub writing. Take a look, have a pint, and enjoy!

New Review: "My Favorite Band Does Not Exist," by Robert T. Jeschonek

I've posted a book review of My Favorite Band Does Not Exist, by Robert T. Jeschonek, over on DailyGenoshan.com, where I'm now a regular contributor. You can read the full review here. Recommended if you enjoy fantasy novels, rock bands, the internet, metafiction, and liking bands before they even exist just so you can tell your friends that you liked them first.* *You like all of these things.