Recording Roland High Life album #3, Part 1

We started working on the new Roland High Life album this weekend, carrying on the tradition we established from last October. This time, we got together outside of Newport, Rhode Island — and for the first time, we actually had an active, functioning bass player there to contribute to the songwriting process! Jake WM had played one show with the Roland High Life back in the day as a fill-in, and it was probably the best show we ever played; we had wanted him to play on “Another Other Dorset,” but he had some family stuff that come up. We couldn’t have been happier to finally officially welcome him into the band.

We got another 5 songs done this time, and I think that covers it for our existing back catalog of tunes we wrote between the bands’ active eras. That means it’s a good diversity of tunes, but we’re also looking forward to writing with the future in the mind — starting from who we are now, as individuals and a band, and working together to crank out the best stuff for who and where we are in our lives.

I’ll share some samples of the songs we did as soon as I have them!

We out here #newalbum #newmusic #recording #homerecording #homerecordingstudio #diy #punkrock #indierock

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🎶 Chris and I cased the neighborhood We found out that everybody sleeps in the middle of the night 🎶 (#timelapse of #drummer @n_correia laying down #drums for @therolandhighlife's #newalbum) #newmusic #punkrock #indierock #recording #homerecording #homerecordingstudio #recordingstudio

8 Likes, 1 Comments - The Roland High Life (@therolandhighlife) on Instagram: "🎶 Chris and I cased the neighborhood We found out that everybody sleeps in the middle of the night..."

A lil' #behindthescenes #music from @therolandhighlife's recent #recording session. #newmusic #indierock #rockandroll

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The first actual LIVE Roland High Life show in a decade!

Frands! 1. Not from Wisconsin 2. Mighty Jet Band 3. The Roland High Life #porchfest2019

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And while we’re in the throes of all this Roland High LIfe news — we started playing shows again! Or at least, me and Walker played a solo acoustic show together as part of Ithaca Porch Fest. We’re also getting ready to start recording the next album, so this was a good warm-up, and the reception was such that we very much plan on doing it again. Go team!

It's been 10 years since we didn't release the first Roland High Life album →

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Now that the Roland High Life is a real band again, we decided to re-master and release our debut EP, “If You Really Want To Hear About…”

You’ll notice that, while I said re-mastered, I didn’t say re-released. Because we, uhhh, neglected to ever actually release this album, just like we kind of neglected the band for a decade for no good reason; we just kinda got busy, even though we were all still friends, and let it all languish.

But now, it’s finally out there for the world to see. Even though I wrote these songs in college — at the very start of my ADHD treatment, and dealing with all kinds of new sensations — I still think they hold up pretty well. We also had the privilege of recording it all at WERS studios at Emerson College, which meant access to lots of high-end equipment and unlimited time after hours in which to work. (The downside, however, is that we lost the master multitracks, and had to work from the rough mixes we put together. But still.)

I’m not gonna do the same song-by-song breakdown on here; I could, but it feels moot, seeing as I wrote all these songs on the cusp of 21 or so. I’ll save the Behind-the-Music shpiel for our next album.

But I will share this newly-recorded acoustic version of “Squatter Song” that I did over the summer. That’s a song that I originally wrote upon first moving to Boston, freshly diagnosed with ADHD and feeling very depressed and overwhelmed with the state of being a mental ill grownup and having my own apartment. Thus, it felt oddly fitting to play the song again on the eve of Boston’s famous Allston Christmas, as I sat in the empty Boston apartment that I now own as I move back into it as a somewhat-functional adult.

The new Roland High Life album is out today! →

Well folks, it’s been about a decade since we last released or performed any music … but the new 5-song EP from my indie rock band the Roland High Life is now available on Spotify, iTunes/Apple Music, BandCamp, and everywhere else you might want to find your tunes!

We arranged and recorded all of these songs over a single weekend at a house in Vermont. They weren’t fully written that weekend — me and Walker, my co-front-man for the band, had been working on songs intermittently that we’d share with each other. But we put them all together, arranged them, and recorded the tracks pretty quickly on our own. For a self-produced work in a basement in Vermont, I’m pretty god damn proud of the work that we pulled off, and I’m very much looking forward to what’s next for the band.

I wrote this song about a few people I know in real life who have succumbed to the crippling addiction of fucked up Trumpian conspiracy theories. I think the Americana-blues-punk vibe we landed with here really encapsulates our vision for the future of the band. The song also explicitly references David Graeber’s economic theory on Bullshit Jobs, which I think everyone should read.

This is a Walker jam (aka my best friend, and the other lead singer in the band). He had sent me an acoustic demo of this a few years back, and I think we landed in a pretty rad Jimmy Eat World-esque area in this. It’s a banger for sure, helped along by Chris the Drummer laying down a sick bass line.

I had originally imagined this as more of an AJJ-esque folk punk song; you can find my solo version of it on Spotify as well. It’s a lot more politically direct than our other Roland High Life thus far (even when we have gotten political), but I think we hit on something good here. Walker convinced me to play it like a Springsteen song that my audience already knew, and that’s exactly how we recorded it. I also threw down some mandolin and lap steel guitar on this track, to really mix it up.

This is actually an older Roland High Life song that we never quite recorded right. I’m not sure if this one is perfect, either — maybe a little too slow — but it’s still the best we have so far. It’s a love song to my cherry red Gibson Les Paul Junior, and I definitely accomplished what I set out to do (i.e., writing a song about loving music that’s also overly sexualized in a weird way). I originally wrote this at a time in my life when I was prone to over-complicating songs, but I do think that the look-at-me-i’m-so-clever music theory games that go on in here are still pretty cool.

Another Walker jam, this one started off as more of a Billy Joel knockoff, and Walker wasn’t sure if it would fit with our rock vibe. But Chris, our drummer, said that he’d been listening to lots of Teenage Fan Club lately, and as soon as he said that, I was hit with a Teenage Fan Club-style version of the song in my head. Or at least, that’s what we were going for; the final product is a little more ambient power-pop, and very much us, which makes it even better.

Plus that snare drop right before the second verse is sick.

Premiering a few new Roland High Life songs at Frank Turner's Lost Evenings!

Back in October, my old band the Roland High Life and I reconvened at a house in the woods of Vermont to write and record our first album in 10 years. So far, it sounds pretty great, and I even premiered a few of the new songs at Frank Turner’s Lost Evenings festival in Boston, at the Open Mic event hosted by Derek of the Homeless Gospel Choir. The response from the crowd was fantastic, and I’m looking forward to getting these songs out into the world!

New Album Preview! Hooray!

I've been putting this off for far too long, but I'm finally making headway on a new full-length solo album of songs I've been working on, tentatively titled "Five Years on the B-Side." If all goes well, it'll be out sometime in the early spring, and I might even do a few live shows around the Northeast to support it!

In the meantime, here are a few rough draft demos to give you an idea of what to expect. (just, ya know, keep in mind that they're sketches of the final arrangements, to help me figure out production things myself, which is why they're kinda messy and why they'll also disappear when recording is complete)

Happy 20th Birthday, Buffy! Here's a new birthday song:

Here's a little tune I wrote about that really unhealthy relationship you had with that vampire guy:

The Ballad of Bad Hombre Man & Queen Nasty Woman

He rode out at dawn
And he headed west:
The Bad Hombre Man
from the Yuge Land of Best

But when he arrived
she was already there:
The Queen Nasty Woman
mounted on her white mare.

They both drew their guns
packed with bullets of words.
Hers were sharp, smart, and clear;
His: the best that he'd heard.

Now I’ll clarify
this for those unaware:
Yes, she’s fine with guns
When they’re not everywhere.

Now back to their duel
in that desert, noon high.
Where Queen Nasty Woman
brought Bad Hombre to die.

For when she took aim
with her practice and plans
she sniped his small gun
from his small grabby hands

To that Bad Hombre Man
from the Best Land of Yuge,
It had never occurred
he could possibly lose

But he slipped from his saddle
and fell flat in the dirt
He was frantic to find
some new way he could hurt

that there Queen Nasty Woman
mounted high on her steed
laying traps all around
everywhere he might lead

Leaving Bad Hombre Man
with no pussy to grab
For the sword ‘tween his legs
was all he knew how to stab

And so Queen Nasty Woman
Turned her mare and she rode
towards that house, White and fair
to once more be her home

Music To Soothe Your Jangled Innards

Quick update about a few events I've got coming up. One, I'll doing a show THIS Friday, December 14 at the All Asia in Central Square, Cambridge with my / Boston's premiere all-male hard rock Lady Gaga cover band Alejandro and the Fame. These shows are always a blast for everyone involved, and are almost always guaranteed to sell out, so make you get there (lookin' at you, People On The Other Side Of The River Who Missed Our Last Show Because It Was Allllllll The Way In JP Oh BooHoo). Admission is a scant $6, and we hit the stage around 10:30pm! I'm also excited to announce that I'll be performing a short set for MORTIFIED at Oberon on Saturday, December 22. For those who haven't heard of this, MORTIFIED is a night of performance in which real-live grown adult humans read horribly horribly embarrassing things from their high school journals / AIM transcripts / etc, and hilarity ensues. And so, during my set, you'll be treated to some particularly painful gems that I dugout from my high school and middle school songwriting notebooks. Ever wonder what kind of angsty tunes I wrote when I was 14 (including "Dot of my 'I'" and instant never-classic "Fuck You Hotchkiss Lane")? Here's your only chance to hear them live! More information to come when I got it.

And finally, I was asked to write up a few scripts for the 2nd Annual Boston One-Minute Play Festival at the Boston Playwrights Theatre, January 5-7. I believe the evening as a whole contains about 100 one-minute plays (yes, really, but c'mon, that's barely an hour and a half!), so I'm sure there's going to be some great variety. And if you don't like a play, well, just wait one minute! I will say that writing a play, complete with a status quo, conflict, rising action,and denouement is remarkably more difficult than you might expect it to be, but I'm pretty pleased with what I came up with (and I should be blogging a bit more about it soon over at their website).

That's all for now, folks! See you Friday!

69 Love Songs

Check out my latest piece over at FiveByFivehundred.com, about a Morning After that she may or may not regret. Complete with an overbearing 20-something male playing bad love songs on an acoustic guitar who is in no way, shape, or form intended as analog for myself. Seriously.

"69 Love Songs" on FiveByFiveHundred.com