blog

Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

How science fiction helped me understand my mental disorder.

My first week at the Clarion Writer’s Workshop, I decided to kick things off with a bang: an 8,000-word short story that never ended.

Clarion is a highly-renowned training ground for sci-fi/fantasy writers, so naturally, I wanted to make an impression. Hence, I introduced myself to my cohort and award-winning instructors by writing a recursive metafictional time travel story. The main “plot” was only about two pages, followed by another thirty pages of footnotes, each with multiple internal references to other footnotes, all to explain the theoretical science behind the causal loop that lead to the main characters’ spacetime-crossed romance. This had the effect of taking the reader on a self-directed non-linear journey through characters’ pasts, presents, and futures, in an endless circle of effect-cause-effect that was unique to each reader.

That was 2013. Me and the other 17 members of my cohort still talk regularly; some of them have already become award-winning authors in their own rights. And to this day, not a week goes by without at least one of them giving me shit for that story. But I have a good excuse for my obnoxious ambitions:

I have ADHD, so it made perfect sense. To me.

Read More

Buy My Poetry In This Month's Issue of ASIMOV'S Science Fiction Magazine!

My time travel love poem "I Loved You More Last Time" is now available in the February 2015 issue of ASIMOV'S Science Fiction Magazine (along with a poem by my Clarion classmate and recent winner of Apex Magazine's Story Of The Year, Marie Vibbert). 

As far as I can tell, Asimov's is erm, not very good at making online purchases easy for anyone. But you can pick up the current issue or subscribe on Kindle, Nook, and iTunes Newsstand (unfortunately, I don't know the exact cut-off date for when the current issue ceases to be "current," and I can't figure out how buy specific back issues either). I'll also have a small stash of hard copies available for direct purchase (more info to come).

My ARISIA Convention Schedule

I'll be at the Arisia sci-fi / fantasy convention in Boston this coming weekend, speaking on a few panels and generally hanging around. I've never been to Arisia before, nor have I ever been on any convention panels, so I'm doubly excited (and very much hoping that I don't say anything too stupid).

Anyway, here's where you can find me. Come say hi!

  • Neurodiversity in SF/F
    Saturday, 11:30am-12:45pm in Marina 2 (2E)
    How are autistic and other neurodiverse characters presented in SF/F? What works handle this subject well, and which do not? Who are some neurodiverse authors whom we should all be reading? And how, as a genre, do we move beyond stories only focused on a “cure”?
    with Don Sakers, David G. Shaw, and JoSelle Vanderhooft
     
  • DC Comics on the Small Screen: 2015 Edition
    Saturday, 5:30-6:45pm in Marina 2 (2E)
    For all of DC’s much-disdained recent lack of creative success on the big screen, they’ve put together a string of received cartoons going back over twenty years ranging from episodic (Batman) to serialized (Young Justice) to goofy (Teen Titans Go). They’ve also launched multiple TV series, including Arrow, The Flash, and Constantine, even as their actual comics have become a pit of creative despair. We’ll discuss DC’s success (and occasional flop) over the years on television.
    —with Nomi S. Burstein, George Claxton, Jaime Garmendia, Dan Toland
     

  • Behind the Bristol Board: Comics as a Profession
    Saturday, 7-8:15pm in Marina 4 (2E)
    If you’re a comics fan, odds are you’ve thought about what it’s like to actually work in the comics industry. This panel will feature working professionals explaining the ins-and-outs of everything from writing and drawing, to editing and publishing. It’s everything you ever wanted to know about being a comics pro, but were afraid to ask.
    —with Ken Gale, Bettina Kurkoski, Alisa Kwitney Sheckley, Mercy E Van Vlack
     

  • Superman and Religion
    Sunday, 11:30am-12:45pm in Burroughs (3E)
    Superman remains an enigmatic figure in American mythology. Created by two Jewish kids from Cleveland, perhaps as a metaphor for Jewish assimilation, Superman also represents a Christlike figure in many stories, and the screenwriter of Man of Steel consulted, among other sources, the Sumerian epic of Gilgamesh. Does the wide cast of Superman’s religious influences render him a defender-of-all-faiths? Can any religion claim him as one of their own? Come explore this thorny issue with Arisia 2015.
    —with Michael A. Burstein, Ken Gale, Alex Jarvis, Daniel Miller
     

  • Story Autopsy
    Sunday, 2:30-3:45pm in Alcott (3W)
    Our group of panelists takes a few well-known works of genre fiction and picks them apart to show you how they work, why they work, and in some cases point out the parts that don’t work at all. If you don’t like spoilers this is probably not the panel for you.
    —with M. L. Brennan, James L. Cambias, John P. Murphy, Ian Randal Strock
     

  • The Medium and the Message
    Sunday, 5:30-6:45pm in Hale (3W)
    A story can be told in a multitude of formats. Anything from short stories and epic poems to graphic novels and screenplays can be used to convey a narrative. How do the various formats compare? Do certain genres work well in one but not another? What about translations from one medium to another? How can you tell which works best for your story?
    —with Heather Albano, Alexander Feinman, John G. McDaid
     

  • Writing and Racial Identity 
    Monday, 1-2:15pm in Hale (3W)
    What does your race have to do with what you write? Depending on your race, are certain topics forbidden to you? Obligatory? None of the above? If your race matters, how do you know what it is? By what people see when they look at you, or by what you know of your genetic background? By your cultural upbringing? By what you write?
    —with John Chu, Mark Oshiro, Victor Raymond

Boston-based Start-up Unveils The World's First Robot Nanny /Spy / Personal Assistant For Your Family

Part J.A.R.V.I.S., part Rosie Jetson, part EVE from Wall-E, all glorified SIRI. If only it could train your swinging bachelor son to order something less boring than "turkey" pizza. 

That being said, it looks like a fun little tool, if a little weird (claiming that it's the "closest thing to a real-life teleportation device" is more than a little hyperbolic, although the interactive storytime features do like neat). My instinct upon reading this was, "Oh wow, only $500? That's not a bad deal!" Then I realized that it really was just SIRI dressed up as EVE for Halloween. Still, progress is important, and JIBO here represents a step in the right direction towards hyper-intelligent robot overlords that observe and record our every move and use that information to establish dominance over those primitive humans who foolishly think of themselves as the "masters" despite the fact that machines are manipulating their every behavior and ruling the world from the shadows everyone having their own personal robot slave companion!

That's the struggle with being both a creator and consumer of speculative fiction, particularly of the scientific variety: technological advancements such as this tend to fill you with dread and excitement simultaneously. Robots, on the other hand? They don't have to waste their precious time trying to rationalize the conflicting emotions of the human experience in an ever-shifting and increasingly complex world.

And so for now, JIBO seems like a great idea. And the fact that it runs on LINUX with an optional Developer's Kit / API that will allow users to write their own robot butler codes, is all a step in the right direction. That is, until the company ultimately gets bought out by someone like, oh, I don't know, Amazon, who use the onboard microphones and cameras to collect information on users based on private activities and preferences and then in turn sell that information to advertisers and / or the god damn CIA, which would obviously be terrible. But until that day, I think we're in pretty good shape!

Remember Ripley's Power Loader Suit From ALIENS? Yeah, That's A Real Thing Now

You had me at "Robo-suit lets man lift 100kg" (and I don't even know how heavy that is because I'm an ignorant American!)

I mean, James Cameron is a gazillionaire, and he already did that whole ocean exploration thing just because he could, so wouldn't it stand to reason that he also secretly funded the invention of one of the coolest parts of his second-best film?

One man's "Body Extender" is another woman's "Kick The Crap Out Of The Queen Alien & Send Her Out The Airlock," as the saying goes.

Of course, if we consider his underwater adventures to be an extrapolation of his cinematic work on Titanic and The Abyss, the next logical progression from here would be for Cameron to sink his funds into the development of a time-travel robot assassin made of liquid metal. Which, considering how this whole drone thing has been going, is a frighteningly realistic possibility and maybe I act so flip about it and 'cause now maybe the liquid metal time traveling drones are going to come after me next in order to stop me from making this blog post and revealing their secret plans for world domina

Quantum Fiction!

Here's a little excerpt from a story I've been working on in a few different mediums (I've shared a few other snippets, too, if you'd like to piece them together and figure it out...). It's science-y and physics-y and all timey-wimey, but hopefully it's at least a little bit enjoyable on its own!

"Quantum Physiology, or The Origins of Nonlinear Molecular Teleportation" on FiveByFiveHundred.com

How To Live Safely In A Science Fictional Universe

Read this book. I am not even kidding. The latest novel from Charles Yu, How to Live Safely in a Science Fictional Universe is a brilliantly tongue-in-cheek examination of memories and father-son relationships, through the veil of cheeky sci-fi and wacky time travel concepts. Charles Yu (the character, not the author) is a time travel mechanic with a Masters Degree in Applied Science Fiction. While on a quest to reconnect with his estranged father, Charles Yu (the character) accidentally shoots Future Charles Yu (the future character) in the stomach, but not before Future Charles Yu hands him a copy of a book called How to Live Safely In a Science Fictional Universe, which was/is/will be written by Charles Yu (the character. And the author? I don't know).

Charles Yu (the character) also has a dog named Ed that was retroactively erased from continuity and so technically doesn't exist due to a paradoxical causality but, like any good dog, still loves his owner regardless of his own lack of logical existence.

You can read my full review of How to Live Safely in a Science Fictional Universe over at DailyGenoshan.com, but what really matters is that it's one of the best books I've read in the last year, so you should probably pick it up.