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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Top Ten

It's that time of year again, when every website and blog and news outlet dials up their completely arbitrary criterium and publishes their "Top 10" lists for the year. This year I finally pulled off something I've been meaning to do for a while: a Top 10 list of "Top 10" lists of the year. A comprehensive list of the best of the best of the "Best Of" lists. ME SO META.

"Top Ten 'Top 10' Lists of 2011" at FiveByFiveHundred.com

Song of the (Bi-)Week, Week 7: "I Gotta Feeling"

I'm going to be completely honest right now: I think "I Gotta a Feeling" by the Black Eyed Peas is one of the most trite, mundane, and obnoxious songs ever written. And the fact that anyway — including but not limited to my left ass-cheek — could have written something so asinine makes even angrier, because neither me nor left ass-cheek did write it, and neither one of us is famous. The song came on while I was driving the other day, and I started thinking of ways to make it better (and by better, I mean worse, which means better, because it's already the worst. Get it?). So I grabbed my acoustic guitar, dropped it into a minor key, and suddenly America's moronic party anthem sounds...well, it sounds like a struggle with addiction, really. Not to make light of that issue, I do find it interesting how fine the line is between fun and self-destruction, as this musical, but not lyrical*, shift demonstrates.

[soundcloud url="http://api.soundcloud.com/tracks/13193367"]

*Okay, there's a slight lyrical shift. I know, it's slow, it's sad, but keep listening towards the end of the 2nd verse, and there might be a little surprise waiting for you....