Okay, so clearly I've been working on lots of larger writing pieces, which has gotten in the way of my standard Five By Five Hundred writing. But hey, writing is writing, so here's another short excerpt from a piece I've been working, only this one is the very end of the story. So, ya know. Spoilers, sweetie.
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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).
Oh, Boston, What A Character
Here's another video I made for the Huntington's upcoming production of Good People by David Lindsay-Abaire (previews start this Friday!). [youtube http://www.youtube.com/watch?v=2X_Yk1t_Q7Q]Following its successful premiere on Broadway last year, Good People is one of the most produced plays in the country in the coming theatrical season -- but we're the only theatre producing this Boston-centric play in the city of Boston itself. I spoke with the director (an Acton native) and members of the cast (one of whom is from Southie, another from Watertown) about the pressures and rewards of doing this popular new play in the city in which its based. The general consensus seems to be that the city of Boston is in fact the central character of the play, a little bit of universal anthropomorphizing that I can totally get behind (and also feels very noir to me, considering the role that LA plays in the work of Raymond Chandler, hrmmmm....)
(Also, the playwright himself gave his public approval of the piece on twitter. And he's got a Pulitzer. Eat that, Alyssa Milano!)
Review: Fun & Games by Duane Swierczynski
Fun & Games, the newest novel from crime fictioneer/Marvel Comics scribe Duane Swierczynski, is the first installment in a trilogy of books about protagonist Charlie Hardie, an ex-cop(-ish) with a blood past from Philadelphia (where else?). It's a frantic loveletter to LA noir, with blistering energy and labyrinthine conspiracies revealing how Hollywood really runs the world. So it's kind of like Mulholland Drive, except it actually makes sense (no offense, David Lynch). Read my full review of Fun & Games over at DailyGenoshan.com!
Time Travel! Murder! Philadelphia! OH EM GEE!
Most people who know me can vouch for the fact that I love just about anything involving (a) time travel, or (b) noir tropes. Fortunately, Expiration Date, the latest novel from Philadelphia genre master Duane Swierczynski, features both (along with some great beer and records. Even better!), and you can read my full review over at DailyGenoshan.com. Here's the blurb from the back of the book:
Recently unemployed journalist Mickey Wade lucked into a rent-free apartment — his sick grandfather's place. The only problem: it's in a lousy neighborhood — the one where Mickey grew up, in fact. The one he was so desperate to escape.
But now he's back. Dead broke. And just when he thinks he's reacher rock bottom, Mickey wakes up in the past. Literally.
At first he thinks it's a dream. All of the stores he remembered from his childhood, the cars, the rumbles of the elevated train. But as he digs deeper into the past, searching for answers about the grandfather he hardly knows, Mickey meets the twelve-year-old kid who lives in the apartment below.
The kid who will grow up to someday murder Mickey's father.