STREETS LIKE THIS: A New World Premiere Play!

For the last couple of months, I've been working with AC Sidle on the Civic Ensemble's Re-Entry Theatre Program to create a new play about prison and addiction, inspired by the real-life stories of people who've lived the struggle. The play started with scenes, written by the program participants—most of whom are or were transitioning out of prison and/or rehab—which I then took and transformed into a full-length, fictional dramatic work.

It started out with their stories, but I gotta say: I'm pretty happy with the final product, and I hope we can continue giving it life across the country, because these conversations aren't going away.

Ithacans, Civic Ensemble invites you to sit with Deon and Dennis, two local men getting up there in age. Deon is black, Dennis is white; both are worn out from past convictions, dysfunctional institutions, and the preventable deaths of loved ones. From their stoop, watch Crystal, Abby, and Brian struggle with their diverse obstacles and mistakes while stuck in the United States’ broken criminal justice system. Deon and Dennis narrate the stories of these three and other characters navigating the perils of real life and their own demons while dealing with the consequences of probation, incarceration, parole, and court-ordered rehabilitation. Streets Like This, based on true stories, travels from the Meadow Street Mobil to Social Services offices and the curb outside Day Reporting to their own workplaces and homes. The play offers no single solution but rather brings you into their worlds. As Deon says, “But maybe next time, you’ll do more than turn your heads away as you toss some spare change in their cups.”

Saturday May 5 at 7:30pm, followed by opening night party
Sunday May 6 at 4:00 pm & 7:30pm
at Kitchen Theatre Company, 417 MLK Jr St, Ithaca

Monday May 7 at 7:30pm
at GIAC Gymnasium, 301 W Court St, Ithaca

One more week to check out BRAHMAN/I: A ONE HIJRA STAND-UP COMEDY ROUTINE!

I've spent the last month working on this weird, wonderful, and utterly hilarious play about an Intersex Indian-American stand-up comic, directed by my incredible wife and also starring my dear friend Aila Peck. It plays through the end of the month in Ithaca, NY, and it's an educational and entertaining look at gender, colonialism, and love. Seriously — even if I didn't have to sit there with a bass every night, I'd still think it was a worthwhile experience for everyone. Here's a peek:

I also chatted with Chris Heddon on WHCU 95.9 The Arts Beat.

It was supposed to be an interview about the show, but took some wildly entertaining turns into dancing death bunnies, the nature of mythophysics, and of course, Journey.

Here's the edited, Brahman/i-centric clip:

And here's the even more ridiculous full interview about, well, everything:

"GIMME INDIE ROCK!": The Simple Comforts of A Future Perfect

A Future Perfect is a brand new play by Ken Urban about indie rockers in their 30s dealing with marriage, careers, babies, and of course, rock and roll. The show is currently receiving its world premiere in Boston with SpeakEasy Stage Company, and if you're anything like me — that is, the creative indie rock type somewhere between the age of 24 and 45 trying to find a balance between still doing what you love and living some semblance of an "adult" life without explicitly selling out and/or turning boring — there's a good chance that this show might hit that sweet spot for you. It has all the charm and humor of a great indie movie (like The Happy Sad, also by Ken Urban and currently available on Netflix), along with a fantastic soundtrack featuring the likes of Pavement, Modest Mouse, Neutral Milk Hotel, the Smiths, Dinosaur Jr., etc. etc.

In short, it's pretty fantastic. 

Then again, I might be biased. After all, the show is directed by my partner, M. Bevin O'Gara, and I also did some music and video projection work for the show myself (in addition to the sound design by Nathan Leigh). So I mean — sure, if you want to put it that way, I guess I would be biased. But it's also an incredibly touching story about friendship, adulthood, and not losing sight of the things that you believe in. Even without the personal connections, that still hits pretty close to home for me.

A Future Perfect runs tonight through February 7 at the Calderwood Pavilion in the South End (there's also a Pay-What-You-Can performance this coming Sunday, Jan. 11). If you're reading this, you'll like it. Trust me.

Also there's puppets.

Performances, Publications, Panels, and More!

There's lots going on at Camp Thom Dunn (is there ever not?); and so, I interrupt your regularly scheduled weird nerd pop culture discoveries & progressive political rantings to, ya know, talk about myself for a minute.

• As previously mentioned, my play True Believers is now available for purchase through Indie Theater Now, and you should totally go buy it, because it only costs $1.29, so why the hell not? (I'm also considering making the script available through Amazon's self-publishing portal, if there's demand for it, even though I do have some ethical issues with Amazon as a company. But dammit if they're not cheap and convenient)
   
• I will be returning to rock the Mortified Boston Christmas show on Friday, December 19 at Oberon in Harvard Square. Tickets are $15 and they're going fast, so hurry up if you want to see me play some really, really, really bad and embarrassing songs I wrote in high school! Which obviously you do.
   
• My words will grace the stage for the third consecutive year in the Boston One-Minute Play Festival (#OMPF). The festival is the brainchild of Dominic D'Andrea, who produces these little bursts in most major cities across the country. It's a fun night — as writers, we're not really given any prompts other than "60 seconds, one page, MAX," so it's neat to see what kind of thematic patterns emerge through that. It's a neat way to gauge the temperature of a city, and the topics that consume its collective consciousness. My two scripts will be directed by Stephanie LeBolt and Hatem Adell, and they'll be performed on Monday and Tuesday, January 5 & 6, at Boston Playwrights Theater.
   
• I'm also excited to announce that I'll be featured on a whole bunch of panels this year at Arisia, Boston's largest and most diverse science fiction & fantasy convention, January 17 — 20 at the Westin Boston Waterfront. Here's where you can find me (when I'm not at the bar or in bed, I mean):
  • Neurodiversity in SF/F — Saturday @ 11:30am in Marina 2
  • DC Comics on the Small Screen — Saturday @ 5:30pm in Marina 2
  • Behind the Bristol boards: Comics as  Profession — Saturday @ 7pm in Marina 4
  • We Know (Philip K.) Dick — Sunday @ 10am in Marina 2
  • Superman & Religion — Sunday @ 11:30am in Burroughs
  • Story Autopsy — Sunday @ 2:30pm in Alcott
  • The Medium & The Message — Sunday @ 5:30pm in Hale
  • Writing & Racial Identity — Monday @ 1pm in Hale
     
• AND SPEAKING OF COMICS! I have 2 more comics coming out through Grayhaven Press — one is a story in their Science Fiction anthology, and the other is a super villain story featured in their "You Are Not Alone" anti-bullying anthology. Both comics will feature art by my buddy Dave Ganjamie, and he and I particularly pumped to actually have some comics going on, after talking about it for the last couple of years. I'm not sure when these comics will actually be published, as I'm currently working on the scripts, but of course, and let you know and link to 'em when they are.

Ladies and gentlemen, Dave Ganjamie

Oh yeah, and then after all that stuff's done, I'm getting married, but ya know, that's a minor event.

Good News For True Believers! (the play, I mean. I guess the people, too)

Two, count 'em, TWO  big announcements about everyone's favorite geek culture serio-comedy theatrical romp (that being True Believers, which I wrote): 

• I have officially signed a digital publishing contract with the wonderful people at Indie Theater Now, an online extension service of the New York Theatre Experience, Inc. that presents, promotes, and preserves new American plays in script form. The full script will be up soon (possibly along with some of my other plays?), but for now, you can check out my playwright profile, anyway.
   
• True Believers will be receiving another public play reading in New York City, this time with the fine folks at Animus Theatre. It's the season kick-off for their 2014-2015 New Play Reading Series, so if you're in or around the New York area, please come check it out! The reading will place this coming Monday, October 27 at Bunga's Den on W 14th Street in Manhattan beginning at 7:30pm. So BE THERE, or make your own Hipster Slave Leia or Steampunk Jesus costume for Halloween.

And if for some reason you found your way to this website / blogpost and have no idea what I'm talking about, well, you're in luck, because I've got a whole section of my website dedicated to True Believers, complete with script samples, production photos, reviews, and more.

For the Cyborg Head of Stan Lee!

View fullsize

Zach Winston as Billy cosplaying Galactus.

View fullsize

Rachel Katherine Alexander as Chloe cosplaying Slave Leia with a hoodie, 'cause it's cold.

Live Theatre On Video, Live!

For those of you who missed the 2nd Annual Boston One-Minute Play Festival, you're in the luck! The whole thing is streaming online here at HowlRound's NewPlayTV. If you don't want to watch the entire thing (which is understandable, it's 2 hours long), my 2 plays are at approximately 28 minutes, and at 48:55.

Also, you might want to fastforward to the end to watch a delightful surprise.

Athbhliain Faoi Mhaise Dhaoibh!

(that's "Happy New Years" in Irish, 'natch)

It's a busy end to the Holiday Season, with back-to-back-to-back celebrations, but here's a quick update on some things. First, a little New Years poem I wrote over at Five By Five Hundred about 2012's significant lack of jetpacks. I also wrote a little blog / essay about my brain as a writer entitled "Less Talk, More Rock" for the Boston One Minute Play Festival, which is this coming weekend, January 5-7, at Boston Playwrights Theatre, and features two short plays that I wrote. I have very specifically avoided rehearsals, so I'm excited to see what's going to come out of the little bits of text I wrote. If you're interested but unavailable to make it to the show, the 8pm performance on Sunday, January 6 will be streamed live on HowlRound's NewPlay TV, so you can watch the whole thing from the comfort of your laptop.

That's all for now; see you in The Future!

Stay Tuned, True Believers!

Rehearsals for my new play True Believers are now well under way! I'm incredibly to be working with our talented and enthusiastic cast, featuring:

• Ryan Edlinger as Chad Mailer. "Comic book writer, creator of Night Shift. High aspirations; doesn’t get the attention he thinks he deserves. Seriously didn’t mean to make Wolverine gay."
• Michael Avellar as Ted Thompson. "Comic book editor, currently at DC Comics. Worked on Night Shift with Chad. Recently divorced. She took his entire Star Wars collection in the settlement. Yes, that includes his Han Solo in Carbonite coffee table. Not that he’s bitter or anything."
• Zach Winston as Billy Horowitz. "Amateur comic book journalist (read: video blogger) and Cyborg Rights Activist (he has a pacemaker). Avid cosplayer."
• Jeffrey Charles Marcus as Calvin Elder. "By day, a mild mannered aspiring comic book artist. By night, he dons the mantle of...Avenger! No, not 'The' Avenger. Just Avenger. You haven’t heard of him? Calvin didn’t make him up. He’s an original creation."
• James Remmes as Box. "Comic writer and professional druid magic user (or at least that’s what he says). Actually knows how to pronounce 'Cthulhu Ftagn.' His mom calls him Christopher."
• Caitlyn Conley as Kt Watts. "Artist on Night Shift (as Katie Tulle). Also wrote the final issue (as Kt Watts). Recently sold the movie rights to her slice-of-life graphic novel Robots Still Love You (Until Their Batteries Die). Her roller derby name is SnatchBox 20."
• Rachel Katharine Alexander as Chloe Long. "Small town girl from Kansas. Flying to the city for the first time in her life to finally meet her online boyfriend in person. She’s a little nervous."
• and Anne Colpitts & Steve Marois in the ensemble.

Tickets are on sale now. The show runs July 12 - 21 at the Piano Factory Theatre in Boston's South End. Check back soon for more updates!

A Love Story for Grownups

In the marketing copy, we've been calling BEFORE I LEAVE YOU "a love story for grownups" — but what does that even mean? Sure, it's a play about old people. Or at least, it's a play about characters, most of them happen to be transitioning from middle aged to old aged. Playwright Rosanna Yamagiwa Alfaro play tells a beautiful, seldom told middle-age love story with the freshness and smart sensibility of a young independent filmmaker. While the characters might be older, the humor and the heart of the story are for everyone. I spoke with the cast, director, and playwright about this idea of age that permeates the play, and how we can all relate to it. The world premiere of BEFORE I LEAVE YOU at the Huntington runs through November 13 at the Calderwood Pavilion at the BCA.

[youtube http://www.youtube.com/watch?v=DfHYN9ORB8k&w=500&h=284]

Peter DuBois on Before I Leave You

Here's a brief video that I filmed back in May, as part of an interview between Huntington Artistic Director Peter DuBois and Charles Haugland, Artistic Programs and Dramaturgy, about our upcoming world premiere of Before I Leave You by Huntington Playwriting Fellow (and 40-year Cambridge resident!) Rosanna Yamagiwa Alfaro. The play tells the story of a group of academic friends living in Harvard Square as they approach the dreaded "old age." I could tell you more but, well, that's what I made the video for! [youtube http://www.youtube.com/watch?v=DcK1Zvq3W_c&w=500&h=284]