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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Announcing "Forfocséic, Vol. 2 — Whiskey & Work"

After the success of last year’s pandemic-produced Irish folk album Forfocséic, Vol. 1, I decided to follow it up with — well, more of the same, I guess. Except this time, the production is even richer, and I stuck to a more coherent theme that’s resonant throughout Irish cultural history: whiskey, and workers’ rights.

And so, I present Forfocséic, Vol. 2 — Whiskey & Work, now available everywhere you stream or download music!

Once again, I had some help from some remote friends (including the fantastic fiddle work of the inimitable Jacqui Cheng). Continuing in the tradition of Irish song mashups, I made a wild medley of “The Rare Aul’ Mountain Dew” and “The Hills of Connemara,” which are both about poitín (basically Irish Moonshine / illicit white whiskey) and both kind of follow the same form anyway.

The other fun thing I did this time (aside from the arrangements, which I’m just generally very proud of) is to twist one of the songs here and make it my own. In addition to the conspicuous Red Sox references in “The Leaving of Liverpool,” I also wrote and added a new verse to “Muirsheen Durkin,” turning it from a more generic immigrant song to one specifically about my own family. Not to give too many spoilers away, but the last verse you hear is indeed something that actually happened to an ancestor of mine, after coming to America from the West of Ireland during the Great Hunger.

Anyway — I hope you enjoy it, and I can’t wait to actually (maybe?) do some live St. Paddy’s Day shows next year (finally!).

On “Hamilton,” Brexit, and Irish Independence

In June 2016, my wife and I headed to Ireland for a week-long vacation. It was my first time on Emerald soil, despite my unabashed affection for my cultural heritage. While I certainly wish I’d had the chance to visit earlier, there was also something poetic about making the trip during the centennial celebration of the Easter Rising, the first major conflict in the struggle for Irish Independence.

We certainly didn’t expect to hop on a plane to Ireland the day after the Brexit vote. Nor did I think anything at the time about the fact that I listened to "Hamilton" for the first times ever as we drove through Ireland that week, and in that specific political context.

So naturally, this got me thinkin'...

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"Hidden Youth: Speculative Fiction from the Margins of History" is now available, and totally worth it. I swear.

My first professional-rate short story is now available in print from Crossed Genres! "An Baile na mBan" is just one of 22 tales of fantastical diversity in the pre-1930s world, all featured in Hidden Youth: Speculative Fiction from the Margins of History(Perhaps not-so-surprisingly, mine's about pucas, Travellers, and abortion during the Irish Civil War.)

Publisher's Weekly said, "The offerings are solid, entertaining, and generally fascinating, conjuring up voices and experiences not often heard. This collection is well worth checking out for all fans of speculative fiction."

From the publisher...

The sequel to the World Fantasy and Locus Award-nominated anthology Long Hidden, Hidden Youth focuses on children: underage protagonists marginalized in their time. 22 excellent stories ranging across nearly 2,400 years and spanning the globe, Hidden Youth reveals the stories of young people whose lives have been pushed to the margins of history.

If you care about #DiversityInSF — or diversity in general — you should help make this awesome anthology happen.

The sequel to Locus and World Fantasy Award-nominated book Long Hidden edited by Rose Fox and Daniel José Older, Hidden Youth is a new anthology featuring fantastical short stories from the margins of history — young adult sci-fi and fantasy stories about oppressed and marginalized groups throughout the generations.

Also, it includes a story by me. "An Baile na mBan" is about Irish Travellers, Irish Nationalism, abortion, and, uhhh, sketchy púca faeries using women to enact their revenge on the Provisional IRA. Obviously.

Did I mention that this will be my first professionally-published (as in, paying SFWA rates) piece of original fiction?

So as you might figure, it means a lot to me. But it won't actually happen unless the anthology reaches its Kickstarter goal of $23,000 by Wednesday, July 6, 2016.

tl;dr — help a brother out, and tell your friends to do the same. KTHXBYE.

For Sale: Genuine Soil From Dracula's Castle

Remember those wacky mail order ads for weird pulp fiction products that you used to be able to find in the back of old comic books?

This little gem from 1979 — limited to only 5,000, get yours today while supplies last! — was supposedly an attempt to capitalize on the release of yet-another Dracula movie that same year. I probably shouldn't be so dismissive, that was obviously well-before there were way too many vampire things around, but 1979 was considered by some to be 'The Year of the Dracula,' as Werner Herzog's Nosferatu the Vampyre (which, it should be noted, was not about Dracula) and Love at First Bite were also released that same year. So in that case, I guess that an amulet of "genuine" soil isn't the worst bit of opportunist merchandising possible? (he says, from a strange future world where pretty young vampires all love and sparkle)

If this was 2014, that little necklace would cost you $40 with shipping, all because some shkeevy marketing guy paid some Romanian dude $10 to dump some dirt into a box and ship it off to America. Forty bucks — and it doesn't even grant the wearer any mystical powers! (although if you ask me, that little disclaimer text is a prime example of "Thou doth protest too much"...)

However, it does include a certificate of authenticity, which makes me wonder — who exactly signed that certificate, and what sort of qualifications did that person have? Truly, what makes one an expert in vampire soil? Are there real vampire archaeologists out there who do this stuff? If so, the official Vampire Archaeology Authentication Council should probably review their application process, because "Dracula's Castle" isn't even a real place. Presumably, this soil comes from Bran Castle, which does claim itself to be "Dracula's Castle" as a tourist attraction due its location near the border of Transylvania and Wallachia. Although previously owned by Hungarian kings, the castle was actually repossessed by the city of Brasov in 1533 after Vlad II Dracul failed to pay some other loans he'd taken out — Vlad II Dracul being the father of Vlad III aka Vlad Tepes aka Vlad the Impaler, the supposed inspiration for the fictional character of Dracula, who was never known to have spent any time in or around Bran Castle during his life.

Supposedly, Stoker's inspiration for the physical layout and appearance of Dracula's castle in his novel is based on New Slain Castle in Aberdeenshire, Scotland, according to Clare Haworth-Maden in The Essential Dracula. Despite popular opinion and prevailing cultural imagery, Dracula may have his roots more in Gaelic traditions and history than those of Eastern Europe, especially when you consider that Stoker himself was Irish. Fun fact: while "dracul" in Romanian does indeed translate to "Son of the Dragon," "droch fhola" in Irish Gaelic (pronounced "droc'ola") translates to "bad blood." Curious? Consider then the legend of Abhartach, an Irish warlord with dwarfism (but not one of the Daoine Maithe or Tuatha Dé Danann!) from present-day County Derry who was supposedly immortal and was said to have drank the blood of his enemies. From The Origin and History of Irish Names & Places:

There is a place in the parish of Errigal in Derry, called Slaghtaverty, but it ought to have been called Laghtaverty, the laght or sepulchral monument of the abhartach or dwarf. This dwarf was a magician, and a dreadful tyrant, and after having perpetrated great cruelties on the people he was at last vanquished and slain by a neighbouring chieftain; some say by Fionn Mac Cumhail. He was buried in a standing posture, but the very next day he appeared in his old haunts, more cruel and vigorous than ever. And the chief slew him a second time and buried him as before, but again he escaped from the grave, and spread terror through the whole country. The chief then consulted a druid, and according to his directions, he slew the dwarf a third time, and buried him in the same place, with his head downwards; which subdued his magical power, so that he never again appeared on earth. The laght raised over the dwarf is still there, and you may hear the legend with much detail from the natives of the place, one of whom told it to me.

Regardless of Dracula's origins, or the origins of his alleged soil from Castle Dracula, I suspect that this exclusive offer is no longer available. Fortunately, Darling Pet Munkee, a Boston-based band that just writes songs about ridiculous ads from the backs of old comic books, was kind enough to immortalize this rare necklace in song for our enjoyment:

Happy St. Padraig's Day!

Everyone knows I love St. Padraig's Day. And so to celebrate this year, I decided to record cover versions of a few of my favorite Irish folk songs (also the Pogues, which counts). Enjoy!

Lá Fhéile Pádraig!

[soundcloud url="http://api.soundcloud.com/tracks/12036874" iframe="true" /] Anyone who knows me can vouch for the fact that I love being Irish. I hold a great deal of pride in the culture, a feeling ingrained in me by my father since a very young age. We also know, of course, that I do enjoy drinking (as if the homebrewing section of my website weren't enough of an indicator). That being said, St. Paddy's Day (and that's "Paddy" for Pádraig, mind you. "Patty" is a girl's name, or what you might call a hamburger) inspires some conflicting feelings within me. I love the celebration of my heritage, and the recognition that it brings to such a unique and fascinating culture. But I find myself being constantly aggravated at the Plastic Paddies and rampant racism that accompanies the holiday. Sure, I plan on heading over to the pub on the 17th to enjoy a few pints, but that's not all there is. I plan on taking in a few Irish seisiuns, enjoying the music and the culture of Ireland, in addition to the drink. Too many people are happy to diminish the accomplishments of the Irish people and reduce us to alcoholic slobs. And while a great many of us do take to the drink — as well as there are many who actually suffer from alcoholism, which is far from humorous — there's much more about the Irish to celebrate. Unfortunately, most complaints about the depiction of Irish stereotypes in American culture are quickly brushed aside as essentially "white people problems." Despite the fact the Irish are generally an accepted — and celebrated — culture in modern day America (especially in Boston!), many seem to forget the years of struggle that our ancestors went through. Sure, it hasn't much affected me directly — no one's ever called me a "white nigger," or pointed to a sign saying "No Irish Need Apply" — but it affected my family, and thus, it's had affect on how I grew up and who I am today.

This week's post on Five By Five Hundred is brought to you by Brian Boru, Flann O'Brien, James Joyce, Fionn MacCumhaill, Brendan Behan, Samuel Beckett, Cuchulain, Maewyn Succa, and all of the other bright and brilliant faces of Irish culture that have had a positive impact worldwide.

"Nina Never Loved Me" on FiveByFiveHundred.com

(also, while you're at it, I suggest you check out The Shore, the newest Oscar-winning short film by Terry George)

Le Fheile Padraig

Alright, so my commitment to posting a new cover song every 2 weeks has fallen behind. I've been recovering from a sinus infection, which of course has rendered me unable to sing. But serendipity shined its smiling Irish eyes on me, and I was able to finish just in time for the Feast of Saint Patrick (one of my personal favorite holidays). This entry into the Song of the (Bi-)Week series is a cover of "Streams of Whiskey" by the Irish rock group The Pogues. This song pays homage to two of my favorite things: drinking whiskey, and Irish playwright/author Brendan Behan, who is also the namesake of my favorite local pub (where I often enjoy drinking whiskey). The original song is an sloppy, upbeat drinking song in 4/4 time; my version follows more in the tradition of Americana, complete with plenty of lap steel guitar, and converts the meter to 3/4 time.

Enjoy, and have yourselves a wonderful St. Patrick's Day!

[soundcloud url="http://api.soundcloud.com/tracks/12036874"]