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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

I Drove A Lyft To Rate The Best Standard & Wireless Charging Car Phone Mounts

My latest work for Wirecutter is about phone mounts for your car, including those with wireless charging capabilities — and this one’s particularly fun, because I got to drive a Lyft for a week in order to do my testing, with a dozen mounts and 3 phones and an iPad all spread across my dashboard the entire time.

I do have some weird/interesting stories to share, although you won’t find them in the articles. Mostly it was just chauffeuring Cornell kids between frat parties and Target. But perhaps the weirdest part was that … no one thought it was weird that I had a dozen mounts and 3 phones and an iPad in my car at any given time? 🤔

Top Ten

It's that time of year again, when every website and blog and news outlet dials up their completely arbitrary criterium and publishes their "Top 10" lists for the year. This year I finally pulled off something I've been meaning to do for a while: a Top 10 list of "Top 10" lists of the year. A comprehensive list of the best of the best of the "Best Of" lists. ME SO META.

"Top Ten 'Top 10' Lists of 2011" at FiveByFiveHundred.com

Writing, Writing Everywhere, and Not a Drop To Read

I have to apologize for the radio silence here at ThomDunn.net over the last few weeks. Layne Anderson, a close friend and former roommate of mine, passed away unexpectedly on April 7th, and as much as I've kept up with everything (well, almost everything), time has been rather a blur. I've chronicled the situation as impersonally as possible over at FiveByFiveHundred.com in two posts — Shark Grief, about my own grieving process, and iWake, which as entirely fictional account of a some inappropriate gallows humor inspired by the situation of which Layne would have most certainly approved. Meanwhile, this week's entry steps away from the morbidity and explores the quantum mechanics of one night stands as interpreted through Bell's Theorem, using the Shrödinger's Cat experiment as a proof. Hopefully, that sounds ridiculous (and ridiculously intriguing) enough for you to check out Shrödinger's Cat Call, also over at FiveByFiveHundred.com.

Also in the last two weeks, we've officially opened Sons of the Prophet at the Huntington, which is then moving to the Roundabout Theatre Company Off-Broadway in the Fall. Plus, I did some filming for Art & Design of the 20th & 21st Centuries and the Boston Print Fair, did a small reading of my new play, True Believers (which is set at a Comic Book Convention and features a cameo by the Cyborg Head of Stan Lee, among other things), and started rehearsals and arrangements for my (wait for it) all-male hard rock Lady Gaga tribute band, Alejandro & the Fame, which is going to be every bit as ridiculous as it sounds. Come check us out on May 20th at the afterparty for Propeller Theatre Company's all-male production of Shakespeare's The Comedy of Errors at the Huntington's B.U. Theatre.

Woo. Okay. I think that's it. Tune in next week for your regularly scheduled programming.