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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

A musical memorial to Mama Cooter

This is the last text that I ever sent to Layne.

We had that creepy Campari clown hanging in our apartment junior year of college. Not because any of us drank Campari then (I do now), but because we found it in the trash on Beacon Hill and it had a frame, so we figured, why not? 

But Layne hated it. That clown creeped her the hell out. Still, she let it stay, and it became a running joke with us.

I don't know if she ever saw that text of her hated clown painting, or if she had already died from complications with diabetes by the time I sent it.

Here's a song I wrote when we were living together in 2007, and she was hospitalized for the same thing.

It's called "Electric Lights."

 

The selfish unawareness of
a window painted blue
electric lights that won't reflect,
but sound so clearly overdue

It permeates the smell of
sanitation and
of jaundice under skin that

has been peeled away
by saline soldiers,
crawling on their knees
across a bridge of gather lives;
maybe this time

she'll sound so much better
in this sweater than this dress
that leaves her back exposed
so all the coldest air can make a nest

All the stabbing
All the dripping
All the fevers and the cries
And poorly picked out tiles on the wall
have watched a million maidens die
underneath electric lights

She's so mixed up
like metaphors
it's better for her.
So when all
the shallow echoes fall
and settle in her cheeks
she's still demanding
all that I can V.

The Truth About Thom Dunn: Revealed!

I think when most people meet me for the first time, they get a pretty good read at who I am, and nearly all of them leave this first encounter with an awareness of most, if not all, of these essential Thom Dunn truths:

  • I really like comic books
  • I really like beer
  • I really like being awesome
  • I am awesome
  • I really like being Irish
  • I have much better taste in music than you, and if I don't, I will gladly engage in friendly albeit heated debate with you about it
  • I really, really hate Journey

Most of these facts require very little explanation, but it's the last one that does occasionally lead to controversy.

I've decided that it's time for me to set the record straight once and for all, and explain myself to the Internets.

But keep in mind that the truth can sometimes be a bitter pill to swallow. I think I might be mixing metaphors there, but I don't care. You have been warned.

"Why I Hate Journey (the band)" on FiveByFiveHundred.com

The Past, The Present, and The Imperfect Future Walk Into a Bar...

Things have been less than ideal as of late, as my girlfriend's best friend quite abruptly passed away from an unexpected heart attack at the age of 28. As you can imagine, it's been a very rough and emotional week. I could very well fill this blog with my thoughts and feelings on the occasion, but anything factual I would attempt to type would feel disingenuous, so here are a few posts catching up on Five By Five Hundred that were inspired by the situation.

Rest in peace, Crystal Gomes. I guess a light as bright as yours is bound to burn out much too fast.

"Being Tense" on FiveByFiveHundred.com

"The Old Maid on the Bar Stool" (part one) (part two) on FiveByFiveHundred.com