“Violence on many sides” yup mm-hm sure 👌

21 Important, Undeniable, Inalienable Truths About This Whole "Captain America Is A Nazi" Thing

1. It's just a comic book.
2. But it's also a comic book with symbolic meaning and a high cultural value.
3. People have a right to feel however the hell they want about a thing.
4. People have no right to tell other people to feel or not feel a certain way about a thing.
5. Even though you have that right to be upset about something, that is not an excuse or intrinsic justification for hyperbole, melodrama, or other such absurd overreactive expressions.
6. Not everyone who feels upset is necessarily overreacting.
7. Not everyone who doesn't feel upset is a cold, heartless Nazi.
8. Reactionary thinkpiece culture is out of control.
9. The Manufactured Internet Outrage Machine is a serious problem.
10. But again, to reiterate: individuals are allowed to be upset, or outraged, or experience any other emotion about anything, ever.
11. They also have a right to express those feelings, in person or online.
12. Having or not having certain feelings about an issue does not give anyone a reason to act like a judgmental shithead.
13. Yes, retroactively changing established comic book continuity to make Captain America into a Nazi sleeper agent is absolutely a marketing ploy. (And yes, you fell for it.)
14. Just because something is a marketing plot, does not mean that is inherently good or bad.
15. It's also part 1 of an ongoing storyline — which is part of 75 years of the single, never-ending storyline that is Big Two comic book continuity. Which means that it's not the full story, and in fact was likely written to intentionally deceive and draw readers back in to buy the next issue, because that's what cliffhangers do.
16. It might even end up being a good story? Who knows? (My money's on "probably not," but YMMV)
17. Yes, it will inevitably be undone/erased/re-retconned out of the story.
18. That's neither a defense nor condemnation of this particular piece of storytelling. It's just the nature of corporate superhero comics.
19. Every single Captain America comic book ever written still exists, and will still exist, and can still be enjoyed in isolation, and is not nullified or ruined by this revelation.
20. This is all due in part to the fact that capitalism has enabled corporations to control and profit off of folklore and cultural iconography in the way that would make Hercules and Gilgamesh cry.
21. Perhaps most importantly: the Cosmic Cube, which was responsible for returning Steve Rogers to his youthful appearance, was already being tampered with by the Red Skull, who has previously used the Cube to alter reality and history and, oh yeah, switch bodies with Captain America, which means that Captain America was kind of already a Nazi already, and that's not even counting the time when the Red Skull lived in the cloned body of Steve Rogers for years, or any of the numerous times he infiltrated high-level positions in the U.S. government, or the fact that he currently has incomparable telepathic abilities due to being in possession of Professor X's brain and could have easily implanted a memory or something else BECAUSE COMICS.

My latest comic book, "iCthulhu," is now on sale!

Grayhaven Comics' latest anthology issue, The Gathering: Sci-Fi Volume 3 is now on sale, and features a short sci-fi action comic by me and my good friend Dave Ganjamie!

Dave and I were bouncing ideas around when he made the intentionally-absurd suggestion of doing a "Futuristic Lovecraftian steampunk horror story." I decided to take this challenge literally...and thus, iCthulhu was born!

Our story is just one part of a 48-page anthology featuring tons of great creators, and the whole thing will only cost you $3.50, so what are you waiting for? Buy it before it becomes a rare and valuable collector's item!

A little sneak peek at Dave's awesome artwork...

This Is The Creative Process

I love these Grant Snider cartoons.

Make-Your-Own Superhero Movie, MAD LIBS-style

It's only funny 'cause it's true. Welcome back to the MCU, Spider-Man!

REVIEW: The Manhattan Projects, Vol. 1: Science Bad by Jonathan Hickman & Nick Pitarra

I'm just going to say it: Jonathan Hickman pisses me off. Everything he writes uses the exact same pseudoscience and cryptic philosophical posturing, with cipher characters defined by one Irresistibly Charming Quirk or Twist whose actions are motivated entirely by Hickman's Next Cool Plot Twist rather than, ya know, actual human desires or anything.

And yet...he does all of that REALLY well. So well, in fact, that you hardly notice unless you are specifically aiming to scrutinize (such as I am). It probably helps that he's also a tremendous art director who gets paired with talented artists and that his books demonstrate such impeccable design sense. But in the process of reading his stories, you get so wrapped up in the big ideas and crazy twists that you don't notice how soulless it is.

The Manhattan Projects is certainly no exception to this. When you break it down, you're like "WTF? This is how a sociopath imitates storytelling." But when you're reading it, you're absolutely carried away and enamored by the strange, surreal, and epic world he's created (with tremendous assistance from Nick Pitarra's creepy-weird artwork).

Damn you, Hickman.

REVIEW: Alex + Ada Vol. 1, by Jonathan Luna & Sarah Vaughn

It's hard to break new ground on the "artificial intelligence turns sentient" story. And yet, Alex + Ada somehow manages to feel fresh even while treading somewhat common tropes. It could be the crisp, clean artwork, or the simple, straightforward dialogue that still strikes a chord in your heart, or maybe the way that the technology feels more like jailbreaking an iPhone than awakening humanity within a person, but that similarity still draws some interesting connections in your mind. Either way, this was a delightful read, and I'm looking forward to the next one.

Performances, Publications, Panels, and More!

There's lots going on at Camp Thom Dunn (is there ever not?); and so, I interrupt your regularly scheduled weird nerd pop culture discoveries & progressive political rantings to, ya know, talk about myself for a minute.

• As previously mentioned, my play True Believers is now available for purchase through Indie Theater Now, and you should totally go buy it, because it only costs $1.29, so why the hell not? (I'm also considering making the script available through Amazon's self-publishing portal, if there's demand for it, even though I do have some ethical issues with Amazon as a company. But dammit if they're not cheap and convenient)
   
• I will be returning to rock the Mortified Boston Christmas show on Friday, December 19 at Oberon in Harvard Square. Tickets are $15 and they're going fast, so hurry up if you want to see me play some really, really, really bad and embarrassing songs I wrote in high school! Which obviously you do.
   
• My words will grace the stage for the third consecutive year in the Boston One-Minute Play Festival (#OMPF). The festival is the brainchild of Dominic D'Andrea, who produces these little bursts in most major cities across the country. It's a fun night — as writers, we're not really given any prompts other than "60 seconds, one page, MAX," so it's neat to see what kind of thematic patterns emerge through that. It's a neat way to gauge the temperature of a city, and the topics that consume its collective consciousness. My two scripts will be directed by Stephanie LeBolt and Hatem Adell, and they'll be performed on Monday and Tuesday, January 5 & 6, at Boston Playwrights Theater.
   
• I'm also excited to announce that I'll be featured on a whole bunch of panels this year at Arisia, Boston's largest and most diverse science fiction & fantasy convention, January 17 — 20 at the Westin Boston Waterfront. Here's where you can find me (when I'm not at the bar or in bed, I mean):
  • Neurodiversity in SF/F — Saturday @ 11:30am in Marina 2
  • DC Comics on the Small Screen — Saturday @ 5:30pm in Marina 2
  • Behind the Bristol boards: Comics as  Profession — Saturday @ 7pm in Marina 4
  • We Know (Philip K.) Dick — Sunday @ 10am in Marina 2
  • Superman & Religion — Sunday @ 11:30am in Burroughs
  • Story Autopsy — Sunday @ 2:30pm in Alcott
  • The Medium & The Message — Sunday @ 5:30pm in Hale
  • Writing & Racial Identity — Monday @ 1pm in Hale
     
• AND SPEAKING OF COMICS! I have 2 more comics coming out through Grayhaven Press — one is a story in their Science Fiction anthology, and the other is a super villain story featured in their "You Are Not Alone" anti-bullying anthology. Both comics will feature art by my buddy Dave Ganjamie, and he and I particularly pumped to actually have some comics going on, after talking about it for the last couple of years. I'm not sure when these comics will actually be published, as I'm currently working on the scripts, but of course, and let you know and link to 'em when they are.

Ladies and gentlemen, Dave Ganjamie

Oh yeah, and then after all that stuff's done, I'm getting married, but ya know, that's a minor event.

This Is What Black People Need To Do If They Want Authority Figures To Treat Them With Respect

Compare with...

And yet, we don't see this...

All comics (which are separate, but thematically connected) written and drawn by Matt Borrs.

THIS BOOK WILL CHANGE YOUR LIFE (or, How I Became Invisible)

In other news: my friends at Quirk Books asked me to write a little Thanksgiving post celebrating a book that I'm grateful for. And that's how I ended up standing in my kitchen with a Bluetooth keyboard in my hand, walking in circles drunk on double IPA and writing this wonderful ode to The Invisibles, which turned 20 years old this year.

But seriously. This book will change your life. If it were a food, it would be a Cthurkey.

Good News For True Believers! (the play, I mean. I guess the people, too)

Two, count 'em, TWO  big announcements about everyone's favorite geek culture serio-comedy theatrical romp (that being True Believers, which I wrote): 

• I have officially signed a digital publishing contract with the wonderful people at Indie Theater Now, an online extension service of the New York Theatre Experience, Inc. that presents, promotes, and preserves new American plays in script form. The full script will be up soon (possibly along with some of my other plays?), but for now, you can check out my playwright profile, anyway.
   
• True Believers will be receiving another public play reading in New York City, this time with the fine folks at Animus Theatre. It's the season kick-off for their 2014-2015 New Play Reading Series, so if you're in or around the New York area, please come check it out! The reading will place this coming Monday, October 27 at Bunga's Den on W 14th Street in Manhattan beginning at 7:30pm. So BE THERE, or make your own Hipster Slave Leia or Steampunk Jesus costume for Halloween.

And if for some reason you found your way to this website / blogpost and have no idea what I'm talking about, well, you're in luck, because I've got a whole section of my website dedicated to True Believers, complete with script samples, production photos, reviews, and more.

For the Cyborg Head of Stan Lee!

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Zach Winston as Billy cosplaying Galactus.

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Rachel Katherine Alexander as Chloe cosplaying Slave Leia with a hoodie, 'cause it's cold.

On Superheroes, Death, and the Cycle of Eternal Return

There was a great piece on NPR the other day where Glen Weldon tried to explain to a curious friend the convoluted insanity of superhero comic book continuity — how the intrinsic nature of the genre's cyclical storytelling patterns is both endlessly frustrating but also part of its charm.

Or, as the saying goes — Comics, Everybody!

This weird cynicism towards death even seeps into the stories themselves. I recall a great issue of X-Factor where Siryn learned about the death of her father, the X-Man Banshee. She just laughed and laughed and laughed, which everyone around her found, well, pretty insensitive. "Come on, you guys," she explained. "We're superheroes! He's dead for now, sure, but he'll be back. I'm not worried about it." It made the rest of the team uncomfortable and concerned for mental well-being, but personally, I thought it was a pretty shockingly accurate depiction of mourning and the different ways that people learn to cope — particularly in a world where no one stays dead (except for Uncle Ben...so far).

There have been some great superhero death stories over the years (Ed Brubaker's Captain America comes to mind), and there have also been some great stories deconstructing the cyclical nature of superhero deaths (Grant Morrison's runs on both Batman and New X-Men...and also Flex Mentallo, and to a certain degree All-Star Superman and...yeah Grant's really into that, huh?). Weldon is correct to use the Asgardian "Ragnarok" to describe this phenomenon, and not just because of Thor. There's a longstanding tradition of death and resurrection in Western storytelling — Jesus being the obvious example, but really, nearly every major epic hero throughout history has had to undergo some kind of death or Underworld trial, and of course, the cycle of death and return also reflects the ever-changing seasons, and the orbit of the Earth, and so on. If we're running on the belief that superheroes are modern (corporate-owned) mythology, well, then the ubiquity of death makes perfect sense. 

That being said, it's a particularly weird thing when it comes to narrative devices — death ups the stakes in any story, but at the same time, the promise of resurrection (no matter how much the company insists that this one will stick) robs the story of those stakes, and it turns death into a rote plot device, just another stage in the story. Death in comics is never "The End," which is either incredibly screwed-up, or a touching perspective on how our loved ones might live on in real life. But when death is just another phase in your story, I think that makes it harder to approach with the appropriate gravitas.

Meanwhile, "Death of [Superhero]" comics continue to sell incredibly well, and as long as people keep buyin' 'em, publishers will keep on killin' 'em and bringin' 'em back. Which, on a meta-reading level, means that comic book readers are trapped in the same endless cycle as the characters they read about, alternating between disillusionment and infatuation with the genre they grew up with. And we're stuck in it just the same.

In Which CALVIN & HOBBES Deconstructs The American Educational System

Happy first-week-of-school, suckers.

And here are a few more fun education-based bits from throughout Calvin & Hobbes history.

Dear Star-Lord: Who Is Your Daddy And What Does He Do?

Continuing my apparently never-ending coverage of Guardians of the Galaxy for Tor.com, this week's article suggests some theories about the identity of Star-Lord's mysterious absent father, as alluded to at the end of the film (oops, sorry, spoilers). Check it out, and share your thoughts in the comments below!

Oh, and also, there's this:

You're welcome.

"Life Begins At Fermentation"

I'm not sure how I discovered the work of Richard Stevens, but I've been immensely enjoying his cartoons. Maybe it's the self-aware pretentious nerd inside of me, but this one...this one speaks to me, man, you know?