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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Portrait of a Struggling Artist as a 38-year-old man on the eve of destruction

Greetings from the B-Side Brewery! Have you drank enough water today? Gotten out of the house? Walked down to the polls? Taken five deep breaths? Smashed your phone against the wall? Okay cool just making sure.

If you still need a distraction from *gestures broadly at the world*, I invite you to check out the latest episode of the Struggling Artist Podcast, featuring yours truly! Host Trev Allen invited me onto the show to ostensibly talk about the history of the Roland High Life, and also how the hell to exist in the world as a creative person. Inevitably, our conversation also spirals out into a talk about ADHD and why Hawkeye is the best Avenger, as these things are wont to do. I like to think our chat has some nice glimmers of hope as well, as we talk pretty earnestly about how to balance artistry and all the various demands of “real life.”

If that’s not enough of a distraction, the fact that the New York Times Tech Guild is currently on strike could also help stop you from constantly refreshing your browser. The Wirecutter Union, of which I am a part, is technically separate from the Tech Guild, but we do stand in solidarity with our colleagues’ goals. While I can’t tell you what to do about or how to respond to this strike, I can encourage you to check out Strikle instead, or maybe soothe yourself with the dulcet tones of Billy Bragg. Or check out some unionized Chippendale dancers, idk.

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Welcome To Hamden (+ some other stuff)

Greetings from the B-Side Brewery! Hope you’ve all been enjoying the hottest summer of your life so far. But just think: it could be the coolest summer of the rest of your life!

Lucky for you, I know a guy (me) who knows a guy (me) who knows a thing or two about being cool (though not in the way I never was in high school). I recently chatted with The Atlantic about the rising popularity of neck fans (you’ve probably seen my face on that one, right?). I was one some iHeartRadio talk show talking about ACs, too, but I have no idea which one or how to find a link. But I did write some new advice on oversizing air conditioners for Wirecutter. And if you’re interested in a heat pump AC or heat pump water heater, I got you covered there, too.

I also tested out a new FDA-authorized video game designed to help treat ADHD. Yes, you read that right. I liked it better than I expected, too, though it’s unsurprisingly not the miracle treatment that it claims to be.

But now it’s time for the main event…

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REVIEW: King Dork by "Doctor" Frank Portman

I gave this 4 stars on GoodReads but it's really a 3.5. I'm generously rounding up because it reminded me of my excitement when I got to open up for Dr. Frank's band, the Mr T Experience, in high school.

Overall, I really enjoyed King Dork. Tom was a funny narrator in his anti-Holden-Caulfield-but-still-so-Holden-Caulfield way, and as a former aspiring punk rock star myself, I definitely saw a lot of me and my high school friends in the story. That being said, I was disappointed with the exposition-y ending. As a writer myself, I was somewhat bothered the whole time through with how much of the story was told in summary exposition, but I was willing to give it a pass because it makes sense diagetically with the narrator that this is how he would convey this story (similar to Holden Caulfield in that way). But Tom's main two journeys -- Fiona, and the relationship with his dead father -- were literally summed up and resolved without any effort on his part (even his hospitalization, though it certainly made sense that he wouldn't have a good memory of the specific events leading up to it, was so blasé: "and then I was hospitalized for a month because I got beat up NBD.").

All that being said: it's probably a good book to help get adolescents into classic books and help with their vocabularies (and the glossary was *hilarious*).

Also, the women in the book left...much to be desired. In some ways (again, diagetically, that is, within the world of the story), I got it, because it was absolutely how a 14 year old King Dork would probably talk about and depict women. It certainly sounded like some of my friends at 14, anyway. But as an adult feminist male, it was a little, well, exactly the kind of subtle misogyny that people are finally and rightfully paying attention to, and I wish had been approached with a more deft hand.

Anyway, here's the MTX song "King Dork," which actually has very little to do with the book (which I assume was named more for brand recognition than anything else, as this is generally seen as one of Dr. Frank's "hits," if you will).

You Had Me at "Slutty Teenage Vampire Hobo Junkies"

Or, I suppose more accurately, I was had at "four hour bus ride to New York City what should I read to pass the time ooh this looks interesting and I bet I can devour it in one sitting." And that's how I came to read The Orange Eats Creeps, the debut novel by Grave Krilanovich, which is less Twilight and more Requiem for a Dream; less sparkly vampires, more meth addiction.

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Kitties and Nihilism. Yum.

Better late than never, I have a new review up on DailyGenoshan.com of The Meowmorphosis, the latest literary mash-up from Quirk Books, wherein Gregor Samsa awakens to find that he turned into a giant cockroach giant adorable kitty. From the publisher:

“One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that he had been changed into an adorable kitten.”

The phenomenal success of Pride and Prejudice and Zombies inspired a massively popular literary-remix movement. Now Quirk Classics once again charts bold new territory, turning the monster-mash-up formula inside out to infuse Franz Kafka’s horrific masterpiece, The Metamorphosis, with the fuzziest, snuggliest, most adorable creatures possible: kittens!

Meet Gregor Samsa, a humble young man who works as a fabric salesman to support his parents and sister. His life goes strangely awry when he wakes up late for work and finds that, inexplicably, he is now a man-sized baby kitten. His family freaks out: Yes, their son is OMG so cute, but what good is cute when there are bills piling up? And how can he expect them to serve him meals every day? If Gregor is to survive this bizarre, bewhiskered ordeal, he’ll have to achieve what he never could before — escape from his parents’ house. Complete with haunting illustrations and a provocative biographical exposé of Kafka’s own secret feline life, The Meowmorphosis will take you on a journey deep into the tortured soul of the domestic tabby.

Book Review: The Meowmorphosis by Franz Kafka & Coleridge Cook on DailyGenoshan.com