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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

"GIMME INDIE ROCK!": The Simple Comforts of A Future Perfect

A Future Perfect is a brand new play by Ken Urban about indie rockers in their 30s dealing with marriage, careers, babies, and of course, rock and roll. The show is currently receiving its world premiere in Boston with SpeakEasy Stage Company, and if you're anything like me — that is, the creative indie rock type somewhere between the age of 24 and 45 trying to find a balance between still doing what you love and living some semblance of an "adult" life without explicitly selling out and/or turning boring — there's a good chance that this show might hit that sweet spot for you. It has all the charm and humor of a great indie movie (like The Happy Sad, also by Ken Urban and currently available on Netflix), along with a fantastic soundtrack featuring the likes of Pavement, Modest Mouse, Neutral Milk Hotel, the Smiths, Dinosaur Jr., etc. etc.

In short, it's pretty fantastic. 

Then again, I might be biased. After all, the show is directed by my partner, M. Bevin O'Gara, and I also did some music and video projection work for the show myself (in addition to the sound design by Nathan Leigh). So I mean — sure, if you want to put it that way, I guess I would be biased. But it's also an incredibly touching story about friendship, adulthood, and not losing sight of the things that you believe in. Even without the personal connections, that still hits pretty close to home for me.

A Future Perfect runs tonight through February 7 at the Calderwood Pavilion in the South End (there's also a Pay-What-You-Can performance this coming Sunday, Jan. 11). If you're reading this, you'll like it. Trust me.

Also there's puppets.

MATT DAMON. Also Ben Affleck. With Breasts!

Would you believe that the script for Good Will Hunting literally fell from the sky (well, the ceiling) and landed right in the laps of two young men in Somerville, Massachusetts? Would you believe that, prior to said script falling from said ceiling, said young men were working (as all young men have done) to adapt The Catcher in the Rye into a screenplay?

Would you believe that Ben Affleck and Matt Damon are totally chicks?

Yeah, me too. Which means you should probably check out Matt & Ben, the hilarious genderswapped "true" story behind the breakout success of those two Cambridge lads and the script that made them both into stars. Written by Mindy Kaling (like, from The office) and Brenda Withers and directed by my superawesomelytalented girlfriend, Ms M. Bevin O'Gara, this fantastic bromantic comedy opens today and runs through the end of the month at the Central Square Theater in, well, Central Square — right where it all started, in Cambridge, Massachusetts.

But seriously, go see this show, because even I weren't biased (which, I mean, I'm not), I would still tell you to see it, because it is that entertaining. Also I'm pretty sure the set dressing was modeled after my bedroom, even though my girlfriend totally denies it.

So check it out! Because, you know. Matt Damon.

[youtube http://www.youtube.com/watch?v=PajyQrpu26I&w=425&h=349]

Da-na-na-na-na-na-na-na-BAT-BOY!

For the next 10 days, you can find me in the pit (well, okay, technically balcony, but it's still called the pit) playing guitar for MetroStage Company's production of BAT BOY! The Musical, directed by the lovely and quite talented Miss M. Bevin O'Gara. Here are the performance dates, for those of you who are interested:

  

  • Friday, June 3 at 8pm
  • Saturday, June 4 at 8pm
  • Sunday, June 5 at 2pm
  • Thursday, June 9 at 7:30pm
  • Friday, June 10 at 8pm
  • Saturday, June 11 at 8pm

Performances take place at the Cambridge Family YMCA Theatre in Central Square, Cambridge.

And the synopsis (in case you're somehow unaware of the "Bat Boy" trend that once ruled The Weekly World News):

Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a "normal" boy by the veterinarian's wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy's unholy origin.