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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Best of All Possible CANDIDEs!

Leonard Bernstein's beautiful score for the Broadway musical Candide was an instant classic — the show itself, based on the novella by Voltaire, was not. Tony Award and MacArthur Genius Grant winner Mary Zimmerman took it upon herself to recreate this musical masterpiece/disasterpiece with a brand new book and a new take on its wonderful music. Following sold out runs at Chicago's Goodman Theatre and Washington, DC's Shakespeare Theatre, Mary Zimmerman's incredible production of Candide officially opens tonight at the Huntington in Boston, and believe me when I say, it is absolutely worth seeing. It's a long show, but it's also one that you'll remember — this is one of those shows that people will be talking about for years to come. Don't believe me? Check this out. [youtube http://www.youtube.com/watch?v=vGgq_HZYAs0&w=420&h=315]

CANDIDE runs through October 16 at the BU Theatre on the Avenue of the Arts. Don't miss it!