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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Song of the (Bi-Week), Week 1: "After the Gold Rush"

I've recently decided to record a cover song every 2 weeks in 2011 and post them here on my website for free as a way to keep me constantly making new music. These won't just be me with an acoustic guitar; they'll be fully interpreted and arranged songs (albeit recorded on my laptop, so not always the best quality). This week, for the first entry in 2011, I recorded "After the Gold Rush," from Neil Young's 1970 album After the Gold Rush. Enjoy!

[soundcloud url="http://api.soundcloud.com/tracks/9130918"]

Suggestions/requests for future Songs of the (Bi-)Week are always welcome.

The Backyard Committee Review from the Hartford Courant

"Whatever ineffable attributes Sembos brings to the Alternate Routes, there's no mistaking what he has done with the Backyard Committee: He's made an inviting album of songs that linger after the last note fades. The guitarist and singer displays a knack for crafting solid pop songs shot through with bits of folk and country, for a warm, pleasingly worn-in sound."

The Hartford Courant, Jan. 11, 2011

Catch me playing keyboards with the Backyard Committee next Monday, January 17 at Daniel Street in Milford, CT, and don't forget to download the album for free before the show.

Burning Words

It was the first day back from winter break. As the first period bell rang, we begrudgingly sidled into Ms. Nitkin’s 11th grade double-period American Studies class. Nitkin was a feisty old Jewish lesbian from Cheshire, who had long since cemented her reputation as both the hardest and greatest teacher at the school. She didn’t take any bullshit (as she so eloquently told me when she handed back my very first essay with a big fat “D” sprawled across the page), but she made her teaching worthwhile, and always pushed you to your very best. She had given us the week between Christmas and New Years to read Huckleberry Finn, by native Nutmegger Samuel Clemens, also known as Mark Twain. Being assigned an entire novel to read over winter break always seemed cruel and unfair, but we did as we were told, and came to that first period class ready to discuss the book and bear Nitkin’s sardonic, witty wrath.

Once we’d all settled down — a good five minutes after the late bell rang — Ms. Nitkin stood up from her desk, hardly taller than she was when sitting down, and made her first declaration to the class: “Nigger. There, I said. Now that that’s out of the way, I hope you all read Huck Finn,” and proceeded with her usual four-question verbal quiz, just to make sure we actually read the book, instead of skimming SparkNotes.

After the quiz, Ms. Nitkin told us a bit of the history of the book’s censorship, as a means of launching us off into a class discussion. Almost immediately, and with much less arguing and shouting than was typically expected of us, the class came to several unanimous decisions: yes, the book uses the word “Nigger,” no, it’s not a very nice word to use, and yes, it was still historically accurate. This set us off on our debate — was Jim the true hero of the book, despite the fact that he was a “nigger?”

The lone black girl in the class — technically Jamaican-American, not African — raised her hand for the first time. Ms. Nitkin called on her to speak, and with seething vitriol she declared her disgust for that word and the shame it brought upon her people. Once again, the rest of the class agreed, and genuinely sympathized as best we could.

But she carried on, spewing vile about how terrible it was for Jim to be called such a thing. Still we all continued to agree, just as we had at the start of the class. She insulted Mark Twain’s worth as an author, and the educational and historical value of the book because of this. Ms. Nitkin tried several times to change the topic, re-iterating that, although the rest of us were white, we were still on her side.

The girl continued her rant, or argument, or declaration, or whatever else it may have been, well into the middle of the second period of the class, interfering with the instructional time allotted to another teacher. The next day, Ms. Nitkin brought in an entirely new book for us to read — this time with only three days to do it. In her final year as a teacher before retirement, Ms. Nitkin changed her curriculum for the first and only time, in effort to satiate the outraged student.

I can’t remember anything about that book we read next, but I sure as hell remember Huck Finn.

Upcoming Gigs with The Backyard Committee

My good friend Mike Sembos (of The Alternate Routes) has recently recorded and released a new full-length album under the name The Backyard Committee:

The Backyard Committee is a band based out of New Haven, Connecticut that blends genres ranging from Americana to punk rock into a jam-friendly framework. Singer/guitarist Mike Sembos (The Alternate Routes, superfallingstars, Kennesaw) writes the songs, and they’re played by a rotating cast of his musical friends. Each member of the “committee” is encouraged to bring his or her own unique voice to the project, be it on stage, on tape, in the artwork or in the crowd. The group’s debut self-titled album was released in December 2010, and it’s posted indefinitely for free download on their website below. All music ever released by the band will be made available for free in digital form in an attempt to make the band experience less of a business venture and more of an art collective.

The album is an excellent collection of indie/Americana tunes, and I'm excited to say that I'll be joining him onstage for a few gigs this winter on keyboards. Catch us at Daniel Street in Milford, CT on January 17, and then again at New Haven's own Cafe Nine on February 24.

And download the damn album! I mean, c'mon. It's free. Sheesh.

Welcome to ThomDunn.net!

Yup. That's right. I'm here*. It's kinda like Thom Dunn 2.0, only much better looking. This website is a way for me to consolidate and share the mass of things I do — from writing to brewing to music to film/video, now there's one stop for all your Thom Dunn needs. Some of the sections are still pretty sparse, but I'm working up towards a whole mess of content that I hope you'll enjoy. There will be scripts and plays and stories to read, videos to match, music to listen to, music to download, recipes to steal and use, and much more. So take a look around, check back often, and tell your friends to do the same!

They Said They Found You With Your Headphones On

And all I can think about is which song was playing when you took your last breath. I hope it was something that at least put a smile on your face. Why Do They Rock So Hard? was always your jam, at least when we were kids, but you and I haven’t really talked music in a while, not for at least a year now. That’s just one reason why I was so really looking forward to tomorrow. Yesterday. Sunday. The day after—Fuck. Subjective time loses meaning; time’s objective when you’re out of time, when you’ve reached your final objective.

Time. I’m told your roommate found you around 11:30pm. I don’t even know who you live with these days. I got the call at 2am and ignored it, I was sleeping. Your youngest sister found out on Facebook, where wall posts have become electronic flowers on your profile tombstone. She called your mom, but she was already outside talking to the cops. And I was still asleep.

I didn’t know what to expect on Sunday when you weren’t there. I met eyes with Fish across the room, and excused myself from the corner of awkward catch-up conversations and we hugged. It was a hello hug, how are you, but without either one of us saying a word, it was an are you okay hug, too. “Did—” he started. “Yeah,” I said. He told me that he called you last night. That night. Saturday night. Around 8pm, for a pint. Maybe Delaney’s. I wish I went there with you more often. We could have talked about the ever-changing draught list, ruminating about our life, theatre, art, sharing scripts over goblets of Delirium Tremens. Or Nocturnum, if the season fits. But I don’t live here anymore. And I guess, neither do you.

When I got to your house—when I arrived at your parents’ house—your brother was doing homework, a worksheet on The Scarlet Letter for Ms. Ligouri. We both had a crush on her when she studen-taught us 7 years ago, and judging by the worksheet, she’s still a lousy teacher. Still, I was surprised to find that Matt’s not 8 years old anymore, but time will do that to you. I was paralyzed standing in the doorway, but I finally turned towards your mom and she ran into my arms and held me closer than I ever thought she would (at this point, if you were here, you’d be half-expecting me to quip about her tits, even if I wasn’t going to, and you’d call me on it, shut me up before I had the chance).

It didn’t really hit me until I saw your father. He was in the bathroom when I arrived because he wouldn’t let us see him cry—typical Gary—but when I shook his hand, firm and string and manly like he taught us, he pulled me in for an embrace. A bear hug to hide the tears, as he thanked me for being your friend, and asked me to pass the message along to anyone else. To the guys. Please. Just, thank you. For just, for being his friend. For being your friend.

Rest in Peace, MVA
June 23, 1986 — October 3, 2009