One more week to check out BRAHMAN/I: A ONE HIJRA STAND-UP COMEDY ROUTINE!

I've spent the last month working on this weird, wonderful, and utterly hilarious play about an Intersex Indian-American stand-up comic, directed by my incredible wife and also starring my dear friend Aila Peck. It plays through the end of the month in Ithaca, NY, and it's an educational and entertaining look at gender, colonialism, and love. Seriously — even if I didn't have to sit there with a bass every night, I'd still think it was a worthwhile experience for everyone. Here's a peek:

I also chatted with Chris Heddon on WHCU 95.9 The Arts Beat.

It was supposed to be an interview about the show, but took some wildly entertaining turns into dancing death bunnies, the nature of mythophysics, and of course, Journey.

Here's the edited, Brahman/i-centric clip:

And here's the even more ridiculous full interview about, well, everything:

"GIMME INDIE ROCK!": The Simple Comforts of A Future Perfect

A Future Perfect is a brand new play by Ken Urban about indie rockers in their 30s dealing with marriage, careers, babies, and of course, rock and roll. The show is currently receiving its world premiere in Boston with SpeakEasy Stage Company, and if you're anything like me — that is, the creative indie rock type somewhere between the age of 24 and 45 trying to find a balance between still doing what you love and living some semblance of an "adult" life without explicitly selling out and/or turning boring — there's a good chance that this show might hit that sweet spot for you. It has all the charm and humor of a great indie movie (like The Happy Sad, also by Ken Urban and currently available on Netflix), along with a fantastic soundtrack featuring the likes of Pavement, Modest Mouse, Neutral Milk Hotel, the Smiths, Dinosaur Jr., etc. etc.

In short, it's pretty fantastic. 

Then again, I might be biased. After all, the show is directed by my partner, M. Bevin O'Gara, and I also did some music and video projection work for the show myself (in addition to the sound design by Nathan Leigh). So I mean — sure, if you want to put it that way, I guess I would be biased. But it's also an incredibly touching story about friendship, adulthood, and not losing sight of the things that you believe in. Even without the personal connections, that still hits pretty close to home for me.

A Future Perfect runs tonight through February 7 at the Calderwood Pavilion in the South End (there's also a Pay-What-You-Can performance this coming Sunday, Jan. 11). If you're reading this, you'll like it. Trust me.

Also there's puppets.

Become'd CUBA

This past weekend, my fiancé closed her production of Becoming Cuba at the Huntington. It was a fantastic for her, as well as a fantastic play — even if some of the reviewers had trouble grasping the idea that a play could have a Latina female as a protagonist (God forbid!), or be set in an historical context without being a "history lesson." I've seen various incarnations of this show...6 times now? And I still don't know anything about the Cuban War of Independence, other than that it happened, and that, in an incredibly over-simplified way, it's kind of the same conflict as what we call the Spanish-American War (meanwhile, we have done shows at the Huntington that could be described as "history lessons," but those were all about white dudes).

ANYWAY, in the end, the show was beautiful and successful, and that's what matter. I previously shared some of the earlier promotional videos that I made for the show, but over the course of its run, I made a few more as well, focusing on the relationship between Bevin and the playwright, Melinda Lopez, as well as the eerie synchronicity between the play and some of the actors' personal lives. Check 'em out:

Meanwhile, fellow playwright / bacon lover / renaissance man John J. King — the so-called "Child Wrangler" on Becoming Cuba — had some fun backstage (no, not like that) with "Chucho," the kid in the play. The two of them wrote a parody of "Royals" by Lorde sung from Chucho's point of view in the play, and I whipped together a quick video for it. I think it's pretty amazing (of course, it could be one of those "you-had-to-be-there" things, but c'mon — Lorde would be way cooler if she sang about guerrilla warfare and syphilis amiright?)

We also had our annual Gala fundraiser at the Huntington last week (in addition to some other, less uplifting news), for which I shot & edited a tribute to MacArthur "Genius" Mary Zimmerman, whom we honored at the event, and shot the footage for our new education video:

So, ya know. I've been busy. What else is new?

Big Ups for BECOMING CUBA!

Last night was the official opening of Becoming Cuba at the Huntington, which is not only a fantastic show, but also just so happens to be directed by incredibly talented fiancé M. Bevin O'Gara (also I totally made her a website isn't that neat?).

If you're in Boston in the next month, it is absolutely worthy seeing (all personal bias aside). But if that's not enough to convince you, here are a few videos I put together about the show that could do the job just as well.

(And for the record: being paid at your job to edit video with your fiancé's face on a 36" screen is every bit as awkward as it sounds)