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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Oh, Boston, What A Character

Here's another video I made for the Huntington's upcoming production of Good People by David Lindsay-Abaire (previews start this Friday!). [youtube http://www.youtube.com/watch?v=2X_Yk1t_Q7Q]Following its successful premiere on Broadway last year, Good People is one of the most produced plays in the country in the coming theatrical season -- but we're the only theatre producing this Boston-centric play in the city of Boston itself. I spoke with the director (an Acton native) and members of the cast (one of whom is from Southie, another from Watertown) about the pressures and rewards of doing this popular new play in the city in which its based.  The general consensus seems to be that the city of Boston is in fact the central character of the play, a little bit of universal anthropomorphizing that I can totally get behind (and also feels very noir to me, considering the role that LA plays in the work of Raymond Chandler, hrmmmm....)

(Also, the playwright himself gave his public approval of the piece on twitterAnd he's got a Pulitzer. Eat that, Alyssa Milano!)

Thommy on the MBTA

The first show in our upcoming season at the Huntington is the Broadway hit Good People by South Boston native David Lindsay-Abaire. The show tells the story of a struggling middle-aged single mom in Southie who loses her job and looks up an old flame (who got out of the Southie projects and is now a doctor living in Chestnut Hill) to help her out. It's a powerful, Boston-centric play that focuses on class issues in America in ways that are remarkably relevant to the country right now, and that frankly, aren't actually addressed that much in American theatre. But enough of that. Here's a little teaser trailer I put together for the show, chronicling the physical journey from South Boston (Corner of F and Tudor, to be precise) to Chestnut Hill on the MBTA, mimicking Margie Walsh's own journey in the second act of the play. Hear you me: it was a long ride.

(also, don't ever call me Thommy)

[youtube http://www.youtube.com/watch?v=Oh03l2Ds2jU&w=480&h=270]

Good People plays September 14 - October 14 at the Avenue of the Arts / BU Theatre. AND, if you're under 35 (which I suspect most of you reading my website are...) tickets are only $25, and we've got a sweet party coming up on September 14, where your ticket also includes a live band and  free drinks after the show.