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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

"...And We Go Ahhhhhhh / Like a Raisin in The Sun /.... "

(...that's how the song goes, right?) Coming up next at the Huntington, Liesl Tommy is returning to direct the classic A Raisin In The Sun, a play which I probably don't need to tell you anything about because you've already read it. But here's a video I made of our Artistic Director Peter DuBois talking about what makes this production special (including a mention of Bevin's next project, the Boston premiere of last year's Tony Award winner Clybourne Park for SpeakEasy Stage).

[youtube=http://www.youtube.com/watch?v=ERERCo1dI1o]

A Raisin In The Sun plays March 8 - April 7, 2013 at the Avenue of the Arts / BU Theatre, and Clybourne Park runs March 1 - 30, 2013 at the South End / Calderwood Pavilion at the BCA.

Wow. Our Town. Wow. Okay.

[youtube=http://www.youtube.com/watch?v=dPwJ-8cGXpI] I say this with no personal bias -- not because my wonderful girlfriend, the producer of this fine production, has been busting her ass for 10 months to make this show as a reality, and not as an employee of the theatre company that is presenting the show.

David Cromer's production of Our Town at the Huntington is one of the Desert Island All-Time Top 5 Most Moving Shared Communal Experiences I have ever had in my entire life.

Perhaps it's especially poignant for me when I think of the friends that I've lost in recent years, but I watched the show on both Tuesday and Wednesday night, and I couldn't stand to watch it for a third time last night for our opening because I was already so overwhelmed with emotion. Three days in a row, and I think I would be eternally reduced to a sobbing puddle of flesh lying in fetal position on the floor. Yes, this show is so good that I literally could not watch it a third time (although I will probably go back at the end of the run, and hopefully catch some things I missed the other 2 times, because there's so much to see in the nothingness of this production, and as the play itself suggests, we can't possibly appreciate all of it when it's happening).

Anyway, there's a video I made up there about the show. I cannot stress enough how powerful and poignant this production truly is. Our Town might be seen as hokey and sentimental and high school-y to many people (though oddly I grew up in Thornton Wilder's hometown and never read or saw the show once, although I did play lots of shitty punk rock shows at Thornton Wilder Memorial Hall), but man, David Cromer just gets it, in a way that'll just blow your mind.

(Also don't read the review in The Boston Globe because [a] it's douchey, [b] IT SPOILS THE END OF THE PLAY, and [c] it's douchey. Yes, Our Town has been around a while, so there are certain spoilers that are now beyond the statute of limitations, but to spoil what makes this production so remarkable -- and to spoil it in such a nonchalant manner -- is awful. If this guy had reviewed The Sixth Sense when it first came out, he would have said "And then it turns out that Bruce Willis was dead the whole time which was totally brilliant and stunning -- I mean, that is to say, if you're one of those people who enjoys brilliant and stunning things or whatever. But otherwise, meh.")

Now Or Later Opening!

Now Or Later officially opened this past Wednesday, and we couldn't be happier with the results! Okay, well, I guess we could a little bit, but overall, the reaction has been pretty fantastic for this "heady and provocative" 75-minute political thriller. So here's a little somethin' I put together to show off the overwhelmingly positive audience reaction, along with some footage from the production itself:[youtube http://www.youtube.com/watch?v=CyDJCgUDEKc&w=485&h=273]